02681nam 22005654a 450 991096549070332120200520144314.01-280-53178-90-19-534927-X0-19-530288-51-60256-457-4(CKB)1000000000029039(EBL)241407(OCoLC)59712817(SSID)ssj0000205798(PQKBManifestationID)11172575(PQKBTitleCode)TC0000205798(PQKBWorkID)10212572(PQKB)10819343(Au-PeEL)EBL241407(CaPaEBR)ebr10084850(CaONFJC)MIL53178(OCoLC)46634431(FINmELB)ELB165360(MiAaPQ)EBC241407(EXLCZ)99100000000002903920010323d2001 uy 0engur|n|---|||||txtccrA most ingenious paradox the art of Gilbert and Sullivan /Gayden Wren1st ed.New York Oxford University Press20011 online resource (409 p.)Description based upon print version of record.0-19-514514-3 Includes bibliographical references (p. 349-375) and index.Contents; Introduction; 1 Gilbert before Sullivan; 2 Sullivan before Gilbert; 3 Thespis; 4 Trial By Jury; 5 The Sorcerer; 6 H. M. S. Pinafore; 7 The Pirates of Penzance; 8 Patience; 9 Iolanthe; 10 Princess Ida; 11 The Mikado; 12 Ruddigore; 13 The Yeomen of the Guard; 14 The Gondoliers; 15 Utopia, Limited; 16 The Grand Duke; 17 Gilbert after Sullivan, Sullivan after Gilbert; 18 Legacy; Appendix A: The Story of the Savoy Operas; Appendix B: Revisions to Ruddigore; Notes; Bibliography; IndexWritten more than a century ago and initially regarded even by their creators as nothing more than light entertainment, the fourteen operas of Gilbert & Sullivan emerged over the course of the twentieth century as the world's most popular body of musical-theater works, ranking second only to Shakespeare in the history of English-language theater. Despite this resounding popularity and proven longevity, most books written about the duo have focused on the authors rather than the works. With this detailed examination of all fourteen operas, Gayden Wren fills this void. His bold thesis finds the 782.1/2/092Wren Gayden1961-1851880MiAaPQMiAaPQMiAaPQBOOK9910965490703321A most ingenious paradox4446279UNINA