00955nam0-22003251i-450-990000842420403321200010100-387-90771-8000084242FED01000084242(Aleph)000084242FED0100008424220001010d--------km-y0itay50------baitay-------001yyVariational Calculus with Elementary ConvexityJ.L. Troutman with tha asistance of W. HrusaNew YorkSpringer Verlag1983XIV, 364 p. 73 ill.24 cmUndergraduate Texts in Mathematics515.64Troutman,John L.41380Hrusa,William J.ITUNINARICAUNIMARCBK99000084242040332102 36 B 194186FINBNFINBNVariational Calculus with Elementary Convexity348847UNINAING0103845nam 22006372 450 991077934410332120151005020621.01-139-88843-91-139-79381-01-139-77944-30-511-99796-51-139-78342-41-139-78243-61-139-77640-11-283-74635-21-139-77792-0(CKB)2550000000708485(EBL)1042473(OCoLC)818727322(SSID)ssj0000755477(PQKBManifestationID)11438049(PQKBTitleCode)TC0000755477(PQKBWorkID)10730207(PQKB)10863006(UkCbUP)CR9780511997969(MiAaPQ)EBC1042473(Au-PeEL)EBL1042473(CaPaEBR)ebr10621704(CaONFJC)MIL405885(EXLCZ)99255000000070848520110112d2012|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe development of dialectic from Plato to Aristotle /edited by Jakob L. Fink[electronic resource]Cambridge :Cambridge University Press,2012.1 online resource (vii, 355 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).1-107-01222-8 Includes bibliographical references and indexes.Dialectic as inter-personal activity: Self-refutation and dialectic in Plato and Aristotle / Luca Castagnoli ; The role of the respondent in Plato and Aristotle / Marja-Liisa Kakkuri-Knuuttila ; Division as a method in Plato / Hallvard Fossheim -- Form and content in the philosophical dialogue: Dialectic and dialogue in the lysis / Morten S. Thaning ; The laches and 'joint search' dialectic / Holger Thesleff ; The philosophical importance of the dialogue form for Plato / Charles H. Kahn ; How did Aristotle read a Platonic dialogue? / Jakob L. Fink -- Dialectical methodology: What is behind the ti esti question? / Vasilis Politis ; Socratic induction in Plato and Aristotle / Hayden W. Ausland ; Aristotle's definition of elenchus in the light of Plato's Sophist / Louis-Andre Dorion ; The Aristotelian elenchus / Robert Bolton ; Aristotle's gradual turn from dialectic / Wolfgang Kullmann.The period from Plato's birth to Aristotle's death (427-322 BC) is one of the most influential and formative in the history of Western philosophy. The developments of logic, metaphysics, epistemology, ethics and science in this period have been investigated, controversies have arisen and many new theories have been produced. But this is the first book to give detailed scholarly attention to the development of dialectic during this decisive period. It includes chapters on topics such as: dialectic as interpersonal debate between a questioner and a respondent; dialectic and the dialogue form; dialectical methodology; the dialectical context of certain forms of arguments; the role of the respondent in guaranteeing good argument; dialectic and presentation of knowledge; the interrelations between written dialogues and spoken dialectic; and definition, induction and refutation from Plato to Aristotle. The book contributes to the history of philosophy and also to the contemporary debate about what philosophy is.DialecticPhilosophy, AncientDialectic.Philosophy, Ancient.160.938Fink Jakob L.1977-UkCbUPUkCbUPBOOK9910779344103321The development of dialectic from Plato to Aristotle3726193UNINA04766nam 2200625Ia 450 991096448940332120200520144314.097838428284523842828454(CKB)2670000000250462(EBL)1035426(OCoLC)815391710(SSID)ssj0001073875(PQKBManifestationID)11694421(PQKBTitleCode)TC0001073875(PQKBWorkID)11212603(PQKB)11154577(Au-PeEL)EBL1035426(CaPaEBR)ebr10596604(MiAaPQ)EBC1035426(Perlego)1893882(EXLCZ)99267000000025046220120916d2012 uy 0engurcn|||||||||txtccr"Cashville" dilution of original country music identity through increasing commercialization /Stephanie Schafer1st ed.Hamburg Diplomica Verlag20121 online resource (120 p.)Description based upon print version of record.9783842878457 3842878451 Includes bibliographical references."Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country MusicV. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War"3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's ProfileHauptbeschreibung Where I come from, it's cornbread and chicken. This line from Alan Jackson's country hit defines the genre as the music of the American South. All its ambiguity set aside, the South stands proudly for its hospitality, politeness, sense of place and community. Family and religion are traditionally more important down there than in the rest of the country. As Southern culture becomes more and more americanized and the music of the small town Southern man (another Jackson song) is adapted for a mainstream audience, the original rustic identity that defines the true AmCountry musicHistory and criticismMusic tradeTennesseeNashvilleCountry musicHistory and criticism.Music trade781.642Schafer Stephanie1177004MiAaPQMiAaPQMiAaPQBOOK9910964489403321"Cashville"4356619UNINA