00872nam0 2200277 450 991073270050332120230712174343.0080711572X20230712d1990----km y0itay50 baengUS 001yyCrime and criminal justice under the Third Republicthe shame of MarianneBenjamin F. MartinBaton RougeLouisiana State University1990XIII, 364 p.1 ill.24 cm2001Giustizia penale e CriminalitàFrancia1870-1940364.94422itaMartin,Benjamin F.1368468ITUNINAREICATUNIMARCBK9910732700503321MAR / MAR 510229BFSBFSCrime and criminal justice under the Third Republic3394263UNINA04079nam 2200817 a 450 991096433800332120240516162549.097866135929969781280497766128049776997808032379950803237995(CKB)2670000000180962(EBL)915046(OCoLC)793511410(SSID)ssj0000615080(PQKBManifestationID)11360160(PQKBTitleCode)TC0000615080(PQKBWorkID)10618563(PQKB)10730862(MiAaPQ)EBC915046(OCoLC)809317580(MdBmJHUP)muse3753(Au-PeEL)EBL915046(CaPaEBR)ebr10559284(CaONFJC)MIL359299(Perlego)4518995(EXLCZ)99267000000018096220110517d2011 uy 0engur|n|---|||||txtccrTextual & visual selves photography, film, and comic art in French autobiography /edited by Natalie Edwards, Amy L. Hubbell, and Ann Miller1st ed.Lincoln [Neb.] University of Nebraska Pressc20111 online resource (286 p.)Description based upon print version of record.9780803236318 080323631X Includes bibliographical references and index.Cover; Title Page; Copyright Page; Contents; Illustrations; Acknowledgments; Introduction: Textual and Visual Selves; 1. Beyond Autobiography; 2. Chronicles of Intimacy: Photography in Autobiographical Projects; 3. The Absent Body: Photography and Autobiography in Hélène Cixous's Photos de racines and Annie Ernaux andMarc Marie's L'Usage de la photo; 4. The Photobiographical Today: Signs of an Identity Crisis?; 5. Reclaiming the Void: The Cinematographic Aesthetic of Marguerite Duras's Autobiographical Novels6. Illustration Revisited: Phototextual Exchange and Resistance in Sophie Calle's Suite vénitienne7. Viewing the Past through a "Nostalgeric" Len s: Pied-Noir Photodocumentaries; 8. Georges Perec, Memory, and Photography; 9. The Self-Portrait in French Cinema: Reflections on Theory and on Agnès Varda'sLes Glaneurs et la glaneuse; 10. Autobiography in Bande Dessinée; Contributors; IndexAutobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas-and images-of self-representation.Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referTextual and visual selvesFrench prose literatureHistory and criticismAuthors, FrenchBiographyHistory and criticismArt in literatureAutobiographyAuthorshipVisual perception in literatureLiterature and photographyFranceSelf in literatureFrench prose literatureHistory and criticism.Authors, FrenchBiographyHistory and criticism.Art in literature.AutobiographyAuthorship.Visual perception in literature.Literature and photographySelf in literature.840.9/35Edwards Natalie1093091Hubbell Amy L1595329Miller Ann1949 Sept. 1-1813719MiAaPQMiAaPQMiAaPQBOOK9910964338003321Textual & visual selves4367117UNINA