02732nam 2200589Ia 450 991096425860332120251117090900.00-8453-4893-0(CKB)2550000000043137(OCoLC)605598209(CaPaEBR)ebrary10490204(SSID)ssj0000537798(PQKBManifestationID)12205783(PQKBTitleCode)TC0000537798(PQKBWorkID)10553824(PQKB)11694219(MiAaPQ)EBC3116165(Au-PeEL)EBL3116165(CaPaEBR)ebr10490204(BIP)37126077(BIP)14080239(EXLCZ)99255000000004313720070410d2007 uy 0engurcn|||||||||txtccrImagery and ideology fiction and painting in nineteenth-century France /William J. Berg1st ed.Newark University of Delaware Pressc20071 online resource (269 p.) Bibliographic Level Mode of Issuance: Monograph0-87413-995-3 Includes bibliographical references and index.Intro -- Contents -- Illustrations -- Acknowledgments -- Introduction Imagery and Ideology: Literature and Painting -- Ideology Laid Bare: Corneille and David -- Imagery and Conflicting Ideologies: Chateaubriand and Girodet -- The Modern Pygmalion: Balzac and Daumier -- ''Les trois glorieuses'': Stendhal, Delacroix, and Hugo -- Idealizing the Image of the Peasant: Sand, Holbein, and Millet -- Salome's Dance: Flaubert, Moreau, and Huysmans -- From Imagery to Ideology through Irony: Zola and Manet -- Impressionist Ideology: Maupassant, Monet, and Renoir père et fils -- Kaleidoscopic Images of Algerian Women: Delacroix, Picasso, and Djebar -- Conclusion: Reading in the Modern Mode -- References -- Index.By juxtaposing the works of ten major writers and ten painters of comparable stature, this book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual. It proposes ways of reading the ambivalent artifacts of modernity.French fiction19th centuryHistory and criticismPainting in literatureArt and literatureFrench fictionHistory and criticism.Painting in literature.Art and literature.843/.709357Berg William J1822769MiAaPQMiAaPQMiAaPQBOOK9910964258603321Imagery and ideology4472543UNINA