05588oam 2200745I 450 991079997840332120200520144314.01-136-13965-61-136-13966-41-281-30730-097866113073010-08-087794-X10.4324/9780080877945 (CKB)1000000000409291(EBL)343614(OCoLC)476158843(SSID)ssj0000203873(PQKBManifestationID)11190215(PQKBTitleCode)TC0000203873(PQKBWorkID)10131622(PQKB)10145677(Au-PeEL)EBL343614(CaPaEBR)ebr10225038(CaONFJC)MIL130730(OCoLC)499049918(CaSebORM)9780240810003(MiAaPQ)EBC343614(EXLCZ)99100000000040929120180706d2008 uy 0engur|n|---|||||txtccrMoCap for artists workflow and techniques for motion capture /Midori Kitagawa and Brian Windsor1st editionAmsterdam ;Boston :Elsevier/Focal Press,2008.1 online resource (231 p.)Description based upon print version of record.1-138-40327-X 0-240-81000-7 Includes bibliographical references (p. 195) and index.MoCap for ArtistsWorkflow and Techniques for Motion Capture; Copyright; Contents; Acknowledgments; Introduction; Chapter 1: An Overview and History of Motion Capture; 1.1 About This Book; 1.2 History of Mocap; 1.2.1 Early attempts; 1.2.2 Rotoscoping; 1.2.3 Beginning of digital mocap; 1.3 Types of Mocap; 1.3.1 Optical mocap systems; 1.3.2 Magnetic mocap systems; 1.3.3 Mechanical mocap systems; Chapter 2: Preproduction; 2.1 Importance of Preproduction; 2.2 Pre-capture Planning; 2.2.1 Script; 2.2.2 Storyboard; 2.2.3 Shot list; 2.2.4 Animatic; 2.3 Preparation for Capture; 2.3.1 Talent2.3.2 Marker sets2.3.2.1 What are the system limitations?; 2.3.2.2 What kind of motion will be captured?; 2.3.2.3 Know the anatomy; 2.3.3 Capture volume; 2.3.4 Shot list; 2.3.5 Capture schedule; 2.3.6 Rehearsals; 2.3.7 Props; 2.3.8 Suits and markers; Chapter 3: Pipeline; 3.1 Setting up a Skeleton for a 3D Character; 3.2 Calibrations; 3.2.1 System calibration; 3.2.2 Subject calibration; 3.3 Capture Sessions; 3.3.1 Audio and video references; 3.3.2 Organization; 3.3.3 Preventing occlusions; 3.4 Cleaning Data; 3.5 Editing Data; 3.6 Applying Motions to a 3D Character3.7 Rendering and Post-productionChapter 4: Cleaning and Editing Data; 4.1 Cleaning Marker Data; 4.1.1 Types of data; 4.1.1.1 Optical marker data (translational data); 4.1.1.2 Translational and rotational data; 4.1.1.3 Skeletal data; 4.1.2 What to clean and what not?; 4.1.2.1 What not to clean?; 4.1.2.2 What to clean?; 4.1.3 Labeling/identifying; 4.1.4 Data cleaning methods; 4.1.4.1 Eliminating gaps; 4.1.4.2 Eliminating spikes; 4.1.4.3 Rigid body; 4.1.4.4 Filters; 4.1.5 When to stop?; 4.2 Applying Marker Data to the Skeleton; 4.2.1 Actor; 4.2.2 Skeleton; 4.2.3 CharacterChapter 5: Skeletal Editing5.1 Retargeting; 5.1.1 Reducing need for retargeting; 5.1.2 Scaling a skeleton; 5.1.3 Fixing foot sliding; 5.1.4 Working on the spine; 5.2 Blending Motions; 5.2.1 Selecting a blending point; 5.2.2 Matching positions; 5.2.3 Dealing with less than ideal cases; 5.3 Inverse Kinematics; 5.4 Floor Contact; 5.5 Rigid Body; 5.6 Looping Motion; 5.6.1 Getting motion ready; 5.6.2 Setting up the loop; 5.6.2.1 Walking down the z-axis; 5.6.2.2 Taking out the translation; 5.7 Poses; 5.7.1 Deciding what to use; 5.7.2 Creating a pose; 5.7.3 Key-framing a poseChapter 6: Data Application - Intro Level: Props6.1 A Stick with Two Markers; 6.1.1 When it fails: Occlusion; 6.1.2 When it fails: Rotation; 6.2 A Stick with Three Markers; 6.2.1 Three markers with equal distances; 6.2.2 Three markers on a single straight line; 6.2.3 Placement of three markers that works; 6.3 Flexible Objects; Chapter 7: Data Application - Intermediate Level: Decomposing and Composing Motions; 7.1 Mapping Multiple Motions; 7.1.1 Decomposing and composing upper and lower body motions; 7.1.2 Synchronizing upper and lower body motions; 7.2 Balance; 7.3 Breaking Motion Apart7.3.1 When you don't need all the motionMake motion capture part of your graphics and effects arsenal. This introduction to motion capture principles and techniques delivers a working understanding of today's state-of-the-art systems and workflows without the arcane pseudocodes and equations. Learn about the alternative systems, how they have evolved, and how they are typically used, as well as tried-and-true workflows that you can put to work for optimal effect. Demo files and tutorials provided on the companion CD deliver first-hand experience with some of the core processes.Computer animationMotionComputer simulationThree-dimensional imagingComputer animation.MotionComputer simulation.Three-dimensional imaging.006.6/96Kitagawa Midori1963-,1586658Windsor Brian1586659MiAaPQMiAaPQMiAaPQBOOK9910799978403321MoCap for artists3873379UNINA03949oam 2200637I 450 991096411600332120251117092125.01-136-26519-81-283-71094-30-203-10824-81-136-26520-110.4324/9780203108246 (CKB)2670000000269299(EBL)1046914(OCoLC)818866117(SSID)ssj0000797164(PQKBManifestationID)11413183(PQKBTitleCode)TC0000797164(PQKBWorkID)10799763(PQKB)10793530(MiAaPQ)EBC1046914(Au-PeEL)EBL1046914(CaPaEBR)ebr10617507(CaONFJC)MIL402344(OCoLC)820819458(EXLCZ)99267000000026929920180706e20121982 uy 0engur|n|---|||||txtccrThe role of the European Investment Bank /Sheila Lewenhak1st ed.Abingdon, Oxon :Routledge,2012.1 online resource (313 p.)Routledge library editions. Banking & finance ;v. 20First published in 1982 by Croom Helm.0-415-75189-6 0-415-53936-6 Includes bibliographical references and index.THE ROLE OF THE EUROPEAN INVESTMENT BANK; Copyright; The Role of the European Investment Bank; Copyright; Contents; List of Tables; List of Appendices; List of Maps; List of Figures; Acknowledgements; Note; Chapter 1 The Origins, Character And Structure Of The European Investment Bank; Chapter 2 The Eib's Borrowing Operations And Reactions To Market Changes; Chapter 3 The Lending Mechanisms And Policies Of The European Investment Bank; Chapter 4 The Relations Between The European Investment Bank And The Commission Of The European CommunitiesChapter 5 European Investment bank Lending For Energy Projects Other Than Nuclear PowerChapter 6 The European Investment Bank's Lending For Nuclear Power Projects; Chapter 7 The European Investment Bank's Lending For Transport; Chapter 8 The European Investment Bank's Lending For Water Supply Projects In The EEC; Chapter 9 The European Investment Bank's Loans For Large-Scale Industrial Enterprise With Special Reference To Employment; Chapter 10 European Investment Bank Financing For Steel And TelecommunicationsChapter 11 European Investment Bank Loans For The Chemical And Chemical Related IndustriesChapter 12 The European Investment Bank's Lending For Small And Medium-Sized Enterprises; Chapter 13 The European Investment Bank's Loans For Environment Protection And Energy Conservation In The EEC; Chapter 14 The European Investment Bank's Loans For Environmental Protection And Energy Conservation In The EEC; Chapter 15 European Investment Bank's Financing In The Rest Of The World; Chapter 16 Conclusions; IndexThis volume draws together diverse sources of information from the EIB's own reports and bulletins, as well as reports of the Us Federal Reserve Board, the IMF and OECD, together with press and journal sources to examine the history, borrowing and lending operations from 1958-1980. It also discusses some of the environmental and social effects of its lending activities. Some consideration has also been given to the bank's operations beyond EU boundaries. The book sheds light on an important EU institution which is crucial to EU member states' infrastructure, industry and economy. Routledge Library Editions: Banking & Finance332.1/534332.1534332.66094Lewenhak Sheila.245638FlBoTFGFlBoTFGBOOK9910964116003321Role of the European Investment Bank616415UNINA