02675nam 2200469Ia 450 991096353690332120251116153146.097801953518590195351851(MiAaPQ)EBC7035251(CKB)24235064000041(MiAaPQ)EBC272810(Au-PeEL)EBL272810(CaPaEBR)ebr10269079(CaONFJC)MIL53044(OCoLC)466428092(Au-PeEL)EBL7035251(OCoLC)252600219(EXLCZ)992423506400004119990603d2000 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe atonal music of Arnold Schoenberg, 1908-1923 /Bryan R. Simms1st ed.New York Oxford University Press2000ix, 265 p. illIncludes bibliographical references (p. 223-257) and index.Intro -- Contents -- Abbreviations -- Chapter 1 Atonality and the Critical Imagination -- Chapter 2 Schoenberg's Evolution toward Atonality -- Chapter 3 Settings of the Poetry of Stefan George: Opp. 10, 14, and 15 -- Chapter 4 Small Instrumental Works: Opp. 11, 16, and 19 and Three Pieces for Chamber Orchestra -- Chapter 5 The Operas Erwartung and Die glückliche Hand -- Chapter 6 New Uses of the Voice: Herzgewächse, Pierrot lunaire, and Four Songs, Op. 22 -- Chapter 7 On the Road from Earth to Heaven: Symphony and Die Jakobsleiter -- Chapter 8 Composing with Tones: Five Piano Pieces, Op. 23, and Serenade, Op. 24 -- Glossary -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.Between 1908 and 1923, Arnold Schoenberg began writing music that went against many of the accepted concepts and practices of this art. Largely following his intuition during these years, he composed some of the masterpieces of the modern repertoire--including Pierrot lunaire and Erwartung--works that have since provoked a large, though fragmented, body of critical and analytical writing. In this book, Bryan Simms combines a historical study with a close analytical reading of the music to give us a new and richer understanding of Schoenberg's seminal work during this period.AtonalityAtonality.780/.92Simms Bryan R1601632MiAaPQMiAaPQMiAaPQ9910963536903321The atonal music of Arnold Schoenberg, 1908-19234464769UNINA