02715nam 22006374a 450 991096277430332120251116175700.01-135-92422-81-138-13401-51-135-92423-61-280-05318-60-203-64212-010.4324/9780203642122(CKB)1000000000251296(EBL)200861(OCoLC)56837412(SSID)ssj0000301042(PQKBManifestationID)11273051(PQKBTitleCode)TC0000301042(PQKBWorkID)10260012(PQKB)11085131(MiAaPQ)EBC200861(Au-PeEL)EBL200861(CaPaEBR)ebr10272692(CaONFJC)MIL5318(OCoLC)826515957(EXLCZ)99100000000025129620030610d2004 uy 0engur|n|---|||||txtccrKeyboard music before 1700 /edited by Alexander Silbiger2nd ed.New York Routledge20041 online resource (421 p.)Routledge studies in musical genresDescription based upon print version of record.0-203-69075-3 0-415-96891-7 Includes bibliographical references and index.Keyboard Music before 1700 ROUTLEDGE STUDIES IN MUSICAL GENRES; Copyright; Contents; Preface to the Second Edition; Preface to the First Edition; Acknowledgments; Notes on Citations; Contributors; Chapter 1. Introduction: The First Centuries of European Keyboard Music; Chapter 2. England; Chapter 3. France; Chapter 4. Germany and the Netherlands; Chapter 5. Italy; Chapter 6. Spain and Portugal; Chapter 7. Performance Practice; IndexKeyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.Routledge studies in musical genres.Keyboard instrument musicHistory and criticismKeyboard instrument musicHistory and criticism.786/.09Silbiger Alexander1935-1876124MiAaPQMiAaPQMiAaPQBOOK9910962774303321Keyboard music before 17004496276UNINA