02975nam 2200829 a 450 991096233310332120200520144314.00-19-029181-80-19-772769-71-280-42820-197866104282050-19-534658-01-4237-3414-910.1093/oso/9780195174731.001.0001(CKB)1000000000245544(EBL)272851(OCoLC)62271309(SSID)ssj0000127366(PQKBManifestationID)11149937(PQKBTitleCode)TC0000127366(PQKBWorkID)10051467(PQKB)10418225(SSID)ssj0001143612(PQKBManifestationID)12377184(PQKBTitleCode)TC0001143612(PQKBWorkID)11110623(PQKB)11083849(Au-PeEL)EBL272851(CaPaEBR)ebr10091865(CaONFJC)MIL42820(OCoLC)1406785809(StDuBDS)9780197727690(OCoLC)55131529(FINmELB)ELB166198(MiAaPQ)EBC272851(EXLCZ)99100000000024554420040429d2005 uy 0engur|n|---|||||txtccrThe composer as intellectual music and ideology in France 1914-1940 /Jane F. Fulcher1st ed.New York Oxford University Press20051 online resource (488 p.)Oxford scholarship onlineFormerly CIP.UkPreviously issued in print: 2005.0-19-534296-8 0-19-517473-9 Includes bibliographical references (p. 427-462) and indexes.Contents; Introduction; 1: Wartime Nationalism, Classicism, and Their Limits; 2: The National or Universal in the Twenties; 3: The "Defense" of French Culture in the Thirties; 4: The Return to Spirit; Conclusion; Notes; Bibliography; IndexIn 'The Composer as Intellectual', musicologist Jane Fulcher reveals the extent to which leading French composers between the world wars were not only aware of, but engaged intellectually and creatively with the central political and ideological issues of the period.Oxford scholarship online.MusicFrance20th centuryHistory and criticismComposersFranceMusicSocial aspectsFranceMusicPolitical aspectsFranceMusicHistory and criticism.ComposersMusicSocial aspectsMusicPolitical aspects780/.944/09041Fulcher Jane F1297949MiAaPQMiAaPQMiAaPQBOOK9910962333103321The composer as intellectual4446621UNINA