01338nam a2200277 i 450099100247513970753620020503165738.0000704s1967 uk ||| | eng b10370067-39ule_instEXGIL104521ExLBiblioteca Interfacoltà ita822.309Furnivall, Frederick James184454The Digby plays with an incomplete 'morality' of Wisdom, who is Christ (part of one of the Macro moralities) :reissued from the plates of the text edited by F.J. Furnivall for the New Shakespere Society in 1882London ; New York :Oxford university press,1967XXIX, 239 p. ;22 cm.Early English text societyRipr. facs. dell'ed.: London, Pub. for the Early English Text Society by K. Paul, Trench, Trübner & Co., 1896Letteratura drammatica ingleseSec. 16.Hamelius, Paul.b1037006721-02-1727-06-02991002475139707536LE002 In. III G 812002000923035le002-E0.00-l- 00000.i1043269327-06-02Digby plays with an incomplete 'morality' of Wisdom, who is Christ (part of one of the Macro moralities)203522UNISALENTOle00201-01-00ma -enguk 4104186nam 22008054a 450 991096214100332120200520144314.097866129019429781282901940128290194X9780226365541022636554910.7208/9780226365541(CKB)2670000000060060(EBL)616042(OCoLC)690176860(SSID)ssj0000471778(PQKBManifestationID)11307639(PQKBTitleCode)TC0000471778(PQKBWorkID)10434136(PQKB)10115574(SSID)ssj0000440311(PQKBManifestationID)12131182(PQKBTitleCode)TC0000440311(PQKBWorkID)10470806(PQKB)11336111(MiAaPQ)EBC616042(DE-B1597)524167(OCoLC)1100568082(DE-B1597)9780226365541(Au-PeEL)EBL616042(CaPaEBR)ebr10431298(CaONFJC)MIL290194(Perlego)1851487(EXLCZ)99267000000006006020051006d2006 uy 0engurnn#---|u||utxtccrThe objective eye color, form, and reality in the theory of art /John Hyman1st ed.Chicago University of Chicago Press20061 online resource (315 p.)Description based upon print version of record.9780226365534 0226365530 9780226365527 0226365522 Includes bibliographical references (p. [269]-275) and index.Front matter --CONTENTS --ILLUSTRATIONS --PREFACE --INTRODUCTION --1. Galileo's Myth --2. Frames of Reference --3. Perceiving Powers --4. Art and Imitation --5. Art and Occlusion --6. Art and Optics --7. Art and Experience --8. Words and Pictures --9. Realism and Relativism --10. The Canvas of the Brain --CONCLUSION --NOTES --BIBLIOGRAPHY --CREDITS --INDEX"The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."-Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hyman's The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing.Visual perceptionComposition (Art)Color in artArtPsychologyVisual perception.Composition (Art)Color in art.ArtPsychology.701/.15Hyman John1813592MiAaPQMiAaPQMiAaPQBOOK9910962141003321The objective eye4366835UNINA