01014nam0-22003131i-450-99000463800040332119990530000463800FED01000463800(Aleph)000463800FED0100046380019990530d1965----km-y0itay50------baitay-------001yy<<The >>metrical chronicleof Robert of Gloucesteredited by William Aldis WrightRepr.NendelnKraus Reprint1965.2 v.25 cmRerum britannicarum Medii aevi scriptores, or Chronicles and memorials of Great Britain and Ireland during the Middle ages86Rist. anast. dell'ed.: London, 1887.Robertus Gloucestrensis391052Wright,William AldisITUNINARICAUNIMARCBK990004638000403321CONT.111(86;1-2)Bibl.8290FLFBCFLFBCMetrical chronicle551955UNINA01560nam 2200373 n 450 99639168060331620200824121841.0(CKB)4940000000107811(EEBO)2240961594(UnM)99862303e(UnM)99862303(EXLCZ)99494000000010781119921014d1647 uy |engurbn||||a|bb|A proclamation by his Excellency Sir Thomas Fairfax[electronic resource] concerning the proceedings of some ministers of the Church of England. The copy of a petition to the Kings Majestie with a representation of the desires of divers clergy-men. And His Excellencies resolution concerning the insolencies exercised by some, to abuse his Excellency and his Councell of WarreCambridge, Printed for Nathaniel Smithanno Dom. 1647[2], 6 pAnnotation on Thomason copy: "Aug: 14".Reproduction of the original in the British Library.eebo-0018ClergyEnglandEarly works to 1800Great BritainHistoryCivil War, 1642-1649Early works to 1800Great BritainChurch history17th centuryEarly works to 1800ClergyFairfax Thomas FairfaxBaron,1612-1671.804819Cu-RivESCu-RivESCStRLINWaOLNBOOK996391680603316A proclamation by his Excellency Sir Thomas Fairfax2376716UNISA04343nam 2200949Ia 450 991096168970332120200520144314.097808232521760823252175978082325218308232521839780823252855082325285X9780823251759082325175610.1515/9780823252183(CKB)3170000000060610(EBL)3239816(SSID)ssj0000871636(PQKBManifestationID)11453983(PQKBTitleCode)TC0000871636(PQKBWorkID)10822921(PQKB)11393958(StDuBDS)EDZ0000155710(MiAaPQ)EBC3239816(OCoLC)847005647(MdBmJHUP)muse22167(DE-B1597)555219(DE-B1597)9780823252183(Au-PeEL)EBL3239816(CaPaEBR)ebr10693767(OCoLC)923764163(MiAaPQ)EBC1114956(MiAaPQ)EBC4704624(Perlego)535787(Au-PeEL)EBL1114956(OCoLC)915134783(Au-PeEL)EBL4704624(CaONFJC)MIL818185(EXLCZ)99317000000006061020130204d2013 uy 0engur|||||||nn|ntxtccrHollow men writing, objects, and public image in Renaissance Italy /Susan Gaylard1st ed.New York Fordham University Press20131 online resource (384 p.)Description based upon print version of record.9780823251919 0823251918 9780823251742 0823251748 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --Introduction: Reinventing Nobility? Artifacts and the Monumental Pose from Petrarch to Platina --1. How to Perform Like a Statue: Ghirlandaio, Pontano, and Exemplarity --2. From Castrated Statues to Empty Colossi: Emasculation vs. Monumentality in Bembo, Castiglione, and the Sala Paolina --3. Banishing the Hollow Man: Print, Clothing, and Aretino’s Emblems of Truth --4. Heroes with Damp Brains? Image vs. Text in Printed Portrait-Books --5. Silenus Strategies: The Failure of Personal Emblems --Afterword --Notes --Works Cited --IndexThis book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.Italian literatureTo 1400History and criticismItalian literature15th centuryHistory and criticismItalian languageEarly modern, 1500-1700Art, RenaissanceItalyHistoryMasculinity in literatureMasculinity in artRenaissanceItalyItalian literatureHistory and criticism.Italian literatureHistory and criticism.Italian languageArt, RenaissanceHistory.Masculinity in literature.Masculinity in art.Renaissance850/.9/002LIT000000HIS020000SOC032000bisacshGaylard Susan1859772MiAaPQMiAaPQMiAaPQBOOK9910961689703321Hollow men4463964UNINA