01892nam1 2200313 450 00003416420220114101124.020220114b17781783km-y0itay50------baitaITy-------001yyStoria del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio, giureconsulto, e avvocato napoletano. Tomo 1. [- 4.]Napolinella Stamperia Simoniana1778-17834 v.4ºRiferimento: www.bnf.fr. e Copac onlineFregio xilogr. sui front.Iniziali e test. xilogr.0010000341662001 {Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio, giureconsulto, e avvocato napoletano. Tomo 1. [- 4.]}0010000341682001 {Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio, giureconsulto, e avvocato napoletano. Tomo 1. [- 4.]}0010000341692001 {Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio, giureconsulto, e avvocato napoletano. Tomo 1. [- 4.]}0010000341702001 {Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio, giureconsulto, e avvocato napoletano. Tomo 1. [- 4.]}Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio2570392ItaliaNapoliDe Jorio,Michele070238195Di Simone650ITUNIPARTHENOPE20220114REICATUNIMARC000034164Storia del commercio e della navigazione dal principio del mondo sino a' giorni nostri di Michele De Jorio2570392UNIPARTHENOPE04757nam 2200565 a 450 991096038080332120251116152933.001915159579780191515958(MiAaPQ)EBC7035382(CKB)24235055200041(MiAaPQ)EBC422744(Au-PeEL)EBL422744(CaPaEBR)ebr10177884(CaONFJC)MIL87008(OCoLC)252675975(Au-PeEL)EBL7035382(EXLCZ)992423505520004120051012d2006 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Augustan art of poetry Augustan translation of the classics /Robin Sowerby1st ed.Oxford, England ;New York Oxford University Press2006viii, 368 p. ill. Includes bibliographical references (p. [353]-360) and index.Intro -- Contents -- List of Illustrations -- Abbreviations -- A Note on the Texts -- Introduction -- 1. The Art of Poetry: Vida to Pope -- The Education of the Poet: Setting the Cultural Scene -- The Virgilian Ars: Disposition of the Poet's Material -- The rules of art and poetic inspiration -- Disposition: clarity, variety, and unity -- Decorum, nature, and verisimilitude -- The comparison of Virgil and Homer -- The Virgilian Ars: Language and Style -- The figures -- Poetic diction -- Imitative harmony -- Conclusion to Vida -- 2. The Augustan Ideal: Rhyme and Refinement -- Early English Classicism -- Humanist beginnings -- The early argument over rhyme -- The closed couplet: English and Latin -- The Latin elegiac couplet -- Early English couplets -- The poetic ideal of Augustan Rome -- The Early Augustan Aesthetic in English -- Waller and Denham: sweetness and strength -- Waller, Denham, and Dryden -- Vigour refined -- The Full Augustan Aesthetic -- Dryden and Denham on the death of Priam compared -- Ornament of words: poetic diction -- How Dryden's Virgil represents the Latin ideal -- Mastery of the Medium: The Continuing Debate about Rhyme -- Dryden and Addison: rhyme versus blank verse -- Dryden and Milton -- Appendix: The Continuing Debate about Rhyme -- 3. Augustan Translation of Silver Latin -- Dryden's Translation of Persius and Juvenal: Dryden's Critical Assessment -- Dryden's Persius -- The method and purpose of Dryden in translation -- Dryden's Juvenal -- Rowe's Lucan -- Introduction: Augustan regularization of Lucan -- Comparison with Marlowe: limitations -- Augustan strengths: Johnsonian virtues -- Liberty and tyranny: the moral argument -- The effectiveness of the mature Augustan couplet -- Pope's Statius -- The rarefied style -- Heightening -- Augustan virtues -- 4. Augustan Homer -- Heroic Beginnings: The Episode of Sarpedon.The Main Fable: The Anger of Achilles -- The Art of Pope's Homer -- Invention and judgement -- Imitation and refinement: tradition and method -- Concentration and unity -- The heightened style -- The final polish: the labour of the file -- The challenge of the Odyssey -- Beginnings -- 'Proportioning the style': the plain and the natural -- Painting the manners: the 'just moral' -- Painting the manners: 'partly in the nature of a comedy' -- Reaction -- Epilogue: Augustans and Moderns -- Select Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W.The first comparative study of its kind, The Augustan Art of Poetry uses translations to explore the artistic influence of the Roman poetry of the Augustan age upon English neoclassical poetry. The book foregrounds the artistry of central texts such as Dryden's translation of Virgil and Pope's Homer. Comparisons are also made with modern versions.Classical poetryTranslations into EnglishHistory and criticismTranslating and interpretingGreat BritainHistory18th centuryClassical poetryAppreciationGreat BritainClassical languagesTranslating into EnglishEnglish poetryClassical influencesClassical poetryTranslations into EnglishHistory and criticism.Translating and interpretingHistoryClassical poetryAppreciationClassical languagesTranslating into English.English poetryClassical influences.880.09Sowerby Robin626962MiAaPQMiAaPQMiAaPQ9910960380803321The Augustan art of poetry4463729UNINA