02610oam 2200565K 450 991095978840332120251117071117.00-262-33445-30-262-33446-1(OCoLC)941999240(OCoLC)958349991(OCoLC)958448400(OCoLC)959910313(OCoLC)1055374047(OCoLC)1066443184(OCoLC)1081221943(OCoLC-P)941999240(MaCbMITP)10192(MiAaPQ)EBC4424502(Au-PeEL)EBL4424502(CaPaEBR)ebr11206785(CaONFJC)MIL901000(OCoLC)941999240(CKB)3710000000603576(EXLCZ)99371000000060357620160301d2016 uy 0engurcnu---unuuutxtccrDigital signatures the impact of digitization on popular music sound /Ragnhild Brøvig-Hanssen and Anne Danielsen1st ed.Cambridge, MA :The MIT Press,[2016]©20161 online resource (199 p.)Description based upon print version of record.0-262-03414-X Includes bibliographical references and index.Introduction : digital technology and popular music sound -- Making sense of digital spatiality : Kate Bush's eerie collage -- The instrument formerly known as the machine : hyper-accuracy and sonic richness in Prince's Kiss -- The rebirth of silence in the company of noise : Portishead going retro -- Cut-ups and glitches : Los Sampler's and Squarepusher's freeze and flow -- Seasick computers : microrhythmic manipulation in the era of endless undo -- Autotuned voices : alienation and brokenhearted androids -- Popular music in the digital era.How sonically distinctive digital "signatures"--Including reverb, glitches, and autotuning -- affect the aesthetics of popular music, analyzed in works by Prince, Lady Gaga, and others.Popular musicPhilosophy and aestheticsPopular musicProduction and directionSoundRecording and reproducingDigital techniquesPopular musicPhilosophy and aesthetics.Popular musicProduction and direction.SoundRecording and reproducingDigital techniques.781.640285Brøvig Ragnhild1425156Danielsen AnneOCoLC-POCoLC-PBOOK9910959788403321Digital signatures4493779UNINA