02691nam 2200745 a 450 991095843990332120241107101509.097817804259311780425937978178160632217816063239781283958387128395838497817816075891781607583(CKB)3710000000573226(EBL)4085069(SSID)ssj0001632607(PQKBManifestationID)16384044(PQKBTitleCode)TC0001632607(PQKBWorkID)14948866(PQKB)10080474(MiAaPQ)EBC887035(MiAaPQ)EBC4357149(Au-PeEL)EBL4357149(CaPaEBR)ebr11168502(OCoLC)936299224(ODN)ODN0002761180(Perlego)3733779(MiAaPQ)EBC4965078(Au-PeEL)EBL4965078(CaONFJC)MIL427088(OCoLC)968091531(EXLCZ)99371000000057322620121124d2011 uy 0gerur|n|---|||||txtccr[Perfect square]Camille Pissarro /[Nathalia Brodskaya]1st ed.[New York] Parkstone International[2011]1 online resource (85 p.)Description based upon print version of record.1-84484-237-1 1-84484-206-1 Includes bibliographical references.Intro -- Die Impressionisten und die Klassische Schule -- Der Künstler -- BIOGRAPHIE -- LISTE DER ABBILDUNGEN."Father Pissarro", as his friends liked to call him, was the most restrained of the artists of the Impressionist movement. Perhaps it was his age, being older than his fellow artists Monet, Sisley, Bazille, and Renoir, or rather his maturity, which resulted in his works having such serene and sober subjects and compositions.A man of simple tastes, he enjoyed painting peasants going about their daily lives. However, Pissarro owes his belated fame to his urban landscapes, which he treated with the same passion he used to paint beautiful stormy skies and frost-whitened mornings.PissarroNonfictionOverDriveArtOverDriveNonfiction.Art.759.4ART000000bisacshBrodskaya Nathalia1608524MiAaPQMiAaPQMiAaPQBOOK9910958439903321Perfect square4336086UNINA