02734nam 2200697Ia 450 991095840780332120200520144314.0978661050138097812805013881280501383978074862625007486262559780748626250(CKB)1000000000351163(EBL)264949(OCoLC)475989191(SSID)ssj0000154794(PQKBManifestationID)11148908(PQKBTitleCode)TC0000154794(PQKBWorkID)10418794(PQKB)10314993(Au-PeEL)EBL264949(CaPaEBR)ebr10130497(CaONFJC)MIL50138(OCoLC)437169841(DE-B1597)614424(DE-B1597)9780748626250(MiAaPQ)EBC264949(Perlego)1708721(EXLCZ)99100000000035116320060208d2006 uy 0engur|n|---|||||txtccrFilm remakes /Constantine Verevis1st ed.Edinburgh Edinburgh University Press20061 online resource (209 p.)Description based upon print version of record.9780748621866 0748621865 9780748621873 0748621873 Includes bibliographical references and index.Contents; Preface; Acknowledgements; Introduction: Remaking Film; CHAPTER 1 Commerce; CHAPTER 2 Authors; CHAPTER 3 Texts; CHAPTER 4 Genres; CHAPTER 5 Audiences; CHAPTER 6 Discourse; Conclusion: Remaking Everything; References; Index; This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics and audiences. This approach to remaking is developed across three broad sections: the first, remaking as industrial category, deals with issues of production, including commerce and authors; the second, remaking as textual category, considers genre, plots aFilm remakesHistoryMotion picturesHistoryFilm remakesHistory.Motion picturesHistory.791.436Verevis Constantine1811891MiAaPQMiAaPQMiAaPQBOOK9910958407803321Film remakes4364085UNINA