04223nam 2200793Ia 450 991095824320332120251117094451.097988908431599781469602837146960283097808078695050807869503(CKB)2550000000065018(EBL)797766(OCoLC)763157067(SSID)ssj0000641265(PQKBManifestationID)11941647(PQKBTitleCode)TC0000641265(PQKBWorkID)10623258(PQKB)10348016(StDuBDS)EDZ0000706804(OCoLC)769189699(MdBmJHUP)muse23324(Au-PeEL)EBL797766(CaPaEBR)ebr10511444(CaONFJC)MIL930472(MiAaPQ)EBC797766(EXLCZ)99255000000006501820111126d2011 ub 0engur|n|---|||||txtccrSlave songs of the United States /edited by William Francis Allen, Charles Pickard Ware, Lucy McKim GarrisonDocSouth Books ed.Chapel Hill University of North Carolina at Chapel Hill Library distributed by University of North Carolina Press20111 online resource (286 p.)Prepared using the transcribed electronic text used in the "Documenting the American South" (DocSouth) Project.Originally published: New York : A. Simpson, 1867.9798890843166 9780807869499 080786949X Cover Page; Title Page; Copyright Page; About This Edition; SLAVE SONGS OF THE UNITED STATES; CONTENTS; DIRECTIONS FOR SINGING; Slave Songs of the United States; I. SOUTH-EASTERN SLAVE STATES: INCLUDING SOUTH CAROLINA, GEORGIA, AND THE SEA ISLANDS.; II. NORTHERN SEABOARD SLAVE STATES: INCLUDING DELAWARE, MARYLAND, VIRGINIA, AND NORTH CAROLINA.; III. INLAND SLAVE STATES: INCLUDING TENNESSEE, ARKANSAS, AND THE MISSISSIPPI RIVER.; IV. GULF STATES, INCLUDING FLORIDA AND LOUISIANA: MISCELLANEOUS.; EDITORS' NOTEFirst published in 1867, Slave Songs of the United States represents the work of its three editors, all of whom collected and annotated these songs while working in the Sea Islands of South Carolina during the Civil War, and also of other collectors who transcribed songs sung by former slaves in other parts of the country. The transcriptions are preceded by an introduction written by William Francis Allen, the chief editor of the collection, who provides his own explanation of the origin of the songs and the circumstances under which they were sung. One critic has noted that, like the editors' introductions to slave narratives, Allen's introduction seeks to lend to slave expressions the honor of white authority and approval. Gathered during and after the Civil War, the songs, most of which are religious, reflect the time of slavery, and their collectors worried that they were beginning to disappear. Allen declares the editors' purpose to be to preserve, "while it is still possible... these relics of a state of society which has passed away."African AmericansMusicFolk musicUnited StatesFolk songs, EnglishUnited StatesSpirituals (Songs)United StatesEnslaved personsUnited StatesSongs and musicAfrican AmericansFolk musicFolk songs, EnglishSpirituals (Songs)Enslaved persons781.6261781.6296073Allen William Francis1830-1889.189766Ware Charles Pickard1840-1921.1862978Garrison Lucy McKim1842-1877.1862979University of North Carolina at Chapel Hill.Documenting the American South (Project).University of North Carolina at Chapel Hill.Library.MiAaPQMiAaPQMiAaPQBOOK9910958243203321Slave songs of the United States4469298UNINA