01298nam0 22003131i 450 UON0046250120231205105130.404978-88-581-2105-420151217d2015 |0itac50 baitaIT|||| |||||Napoli, Belle Époque 1885-1915Francesco BarbagalloRomaBariLaterza2015196 p., [10] carte di tav.21 cm.001UON000657742001 Storia e SocietàNapoliVita artistica e culturale1885-1915UONC088745FIITRomaUONL000004ITBariUONL000072945.731Storia di Napoli21BarbagalloFrancescoUONV0590260LaterzaUONV276725650ITSOL20250801RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00462501SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI EUR D A 3270 SI 15845 5 3270 BuonoSIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI20151797 1J 20151217Vs preventivo del 16/12/2015 Napoli, Belle Epoque1385874UNIOR03721nam 22007692 450 991095804120332120151005020622.01-107-22108-01-139-06383-91-283-11890-41-139-07623-X97866131189051-139-08306-61-139-07051-71-139-07852-61-139-08079-20-511-79162-3(CKB)3460000000002655(EBL)691960(OCoLC)729166647(SSID)ssj0000522826(PQKBManifestationID)11349591(PQKBTitleCode)TC0000522826(PQKBWorkID)10528259(PQKB)10688038(UkCbUP)CR9780511791628(MiAaPQ)EBC691960(Au-PeEL)EBL691960(CaPaEBR)ebr10476533(CaONFJC)MIL311890(EXLCZ)99346000000000265520100616d2011|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierGender, race, and mourning in American modernism /Greg Forter1st ed.Cambridge :Cambridge University Press,2011.1 online resource (vii, 217 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).1-107-00472-1 Includes bibliographical references and index.Introduction -- 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby -- 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia -- 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom! -- 4. The Professor's House: primitivist melancholy and the gender of Utopian forms.American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States.Gender, Race, & Mourning in American ModernismAmerican fiction20th centuryHistory and criticismModernism (Literature)United StatesGender identity in literatureRace in literatureGrief in literatureAmerican fictionHistory and criticism.Modernism (Literature)Gender identity in literature.Race in literature.Grief in literature.813/.52093532LIT004020bisacsh18.06bclForter Greg1648579UkCbUPUkCbUPBOOK9910958041203321Gender, race, and mourning in American modernism4424663UNINA