01038nam2-2200373---450099000119739020331620050307125717.0000119739USA01000119739(ALEPH)000119739USA0100011973920031015d1971----km-y0ENGy0103----baitaITCalabriaSvimez8Roma1971IV, 87 p.Segue: Appendice200100100984462001Analisi del territorio meridionaleTerritorioAnalisiItalia meridionale914.57SVIMEZ370492ITsalbcISBD990001197390203316III.1. 1726/7(I I 455/VII)114652 LMI IBKUMASIAV61020031015USA011651SIAV61020031015USA011653PATRY9020040406USA011726COPAT29020050307USA011257Calabria302754UNISA03026nam 2200637 a 450 991095764340332120240513032517.097866128960959781282896093128289609197818415043771841504378(CKB)2670000000047651(EBL)605771(OCoLC)680775522(SSID)ssj0000415591(PQKBManifestationID)12111780(PQKBTitleCode)TC0000415591(PQKBWorkID)10416539(PQKB)10998823(MiAaPQ)EBC605771(Au-PeEL)EBL605771(CaPaEBR)ebr10425245(CaONFJC)MIL289609(Perlego)4281944(EXLCZ)99267000000004765120101202d2011 uy 0engur|n|---|||||txtccrDeleuze and film music building a methodological bridge between film theory and music /by Gregg Redner1st ed.Bristol [U.K.] Intellect20111 online resource (204 p.)Description based upon print version of record.9781841503707 1841503703 Includes bibliographical references (p. 177-186).Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; ReferencesCorpus of FilmsFilms Cited In TextThe analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and FilmMotion picture musicMusicPhilosophy and aestheticsMotion picture music.MusicPhilosophy and aesthetics.781.5Redner Gregg1809463MiAaPQMiAaPQMiAaPQBOOK9910957643403321Deleuze and film music4360267UNINA