01523nam 2200361 n 450 99639281180331620221108000004.0(CKB)4940000000111169(EEBO)2248504798(UnM)99868251(EXLCZ)99494000000011116919940615d1651 uy |engurbn||||a|bb|A plea for the common-laws of England[electronic resource] or an answer to a book entituled, A good work for a good magistrate: or, a short cut to a great quiet. (Published by Mr. Hugh Peters:) So far as concerns his proposals touching the said laws. By R. Vaughan of Grays-InneLondon Printed for Francis Tyton, and are to be sold at his shop, at the three Daggers in Fleetstreet, near the Inner Temple-gate1651[16], 24 pA reply to: Peters, Hugh, 1598-1660. Good work for a good magistrate. Or a short cut to great quiet.Annotation on Thomason copy: "July 3d".Reproduction of the original in the British Library.eebo-0018LawEnglandEarly works to 1800Great BritainHistoryCommonwealth and Protectorate, 1649-1660Early works to 1800LawVaughan Rice1004740Cu-RivESCu-RivESCStRLINWaOLNBOOK996392811803316A plea for the common-laws of England2385416UNISA04615nam 2200697 a 450 991095717050332120241108010519.09781742190280174219028697817421940591742194052(CKB)3230000000216273(StDuBDS)AH25020229(Au-PeEL)EBL410422(CaPaEBR)ebr10273705(OCoLC)476232722(Au-PeEL)EBL1657856(OCoLC)875098052(MiAaPQ)EBC410422(Perlego)1566741(EXLCZ)99323000000021627320090312d1999 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierBody/landscape journals /Margaret Somerville1st ed.North Melbourne, Vic. Spinifex1999ill9781306102896 1306102898 9781875559879 1875559876 Includes bibliographical references and index.Intro -- Other books by Margaret Somerville -- Contents -- Acknowledgements -- Introduction Body/Landscape Journals -- Late summer 1999 -- Performance I Pine Gap Women's Peace Camp -- Landmarks1 -- Pine Gap, 1983 -- 11th May -- 12th May, 2.30 am. -- 13th May -- (Meta)physics of presence -- Transforming signs -- Domestic images -- Narratives of action -- 14th May -- 15th May -- 16th May -- Performance II Two Women Dreaming -- Landmarks Angatja, July, 1993 -- Monday, 23rd August, 1993 -- Tuesday, 24th August -- Wednesday, 25th August -- Thursday, 26th August -- Friday, 27th August -- Performance III Emily and the Queen -- Landmarks -- April, 1990 -- 6th December, 1993 -- 25th February, 1994 -- 14th March, 1994 -- 28th March, 1994 -- 5th April, 1994 -- 8th April, 1994 -- Thursday, 12th April, 1994 -- Performance IV The Sun Dancin' -- Landmarks -- November, 1993 -- Thursday, 4th November -- Friday, 5th November -- Saturday, 6th November -- Performance V La mer/la mère: and the cassowary women of Mission Beach -- Landmarks Mullaway, late summer -- In the beginning there are no words -- Mullaway, on the first day -- Mullaway, on the second day -- North Queensland, 22nd October, 1991 -- North Queensland, 23rd October 1991 -- Mullaway, on the third day -- North Queensland, 23rd October, 1991 -- Mullaway, on the fourth day -- Mullaway, on the fifth day -- Mullaway, on the sixth day -- North Queensland, 29th October, 1991 -- And on the seventh day -- Performance VI Houses: and the performance of home -- Landmarks -- Dawn -- Morning rising -- Unstitching -- Unsettlement -- Displacement -- Morning walk -- Mid-day -- Midafternoon -- Afternoon tea -- Night settles -- Notes towards a practice of love -- Practices of the body -- Practices of self and other -- Practices of home -- Practices of play -- Practices of body/landscape -- References Cited -- Index.As the author visited peace camps in Australia she recorded interactions with Aboriginal women in the desert, in the mountains and at home and with white women in the tropics and at home.Reading this book is like falling through a faultline, as we respond to poesis, both as poetry and as thought creation. Margaret Somerville attended the 1984 Pine Gap Women's Peace Camp where urban women and Aboriginal women demonstrated against military bases. As she moved through the landscape of this and other very different places, she recorded her interactions: with Aboriginal women in the desert in the mountains and at home, and with white women in the tropics and at home. It is a thoughtful challenge of all that we think. She concludes with reflections on the architecture of love.Social interactionAboriginal AustraliansUrban womenAustraliaLiterature and stories - Criticism and analysisaiatsissFilm - Criticism and analysisaiatsissArt - Theory and criticismaiatsissSocial interaction.Aboriginal Australians.Urban womenLiterature and stories - Criticism and analysis.Film - Criticism and analysis.Art - Theory and criticism.305.4305.4Somerville Margaret868892MiAaPQMiAaPQMiAaPQBOOK9910957170503321Body4351584UNINA