04393nam 2200697Ia 450 991095687760332120240513193305.0979-82-16-22987-21-282-93662-X97866129366230-7391-4636-X(CKB)2670000000060732(EBL)662181(OCoLC)705538925(SSID)ssj0000475452(PQKBManifestationID)12160532(PQKBTitleCode)TC0000475452(PQKBWorkID)10463695(PQKB)11332098(SSID)ssj0000472848(PQKBManifestationID)12168045(PQKBTitleCode)TC0000472848(PQKBWorkID)10437578(PQKB)11772434(Au-PeEL)EBL662181(CaPaEBR)ebr10437321(CaONFJC)MIL293662(MiAaPQ)EBC662181(EXLCZ)99267000000006073220100917d2010 uy 0engur|n|---|||||txtccrRock brands selling sound in a media saturated culture /edited by Elizabeth Barfoot Christian1st ed.Lanham Lexington Books20101 online resource (600 p.)Description based upon print version of record.0-7391-4635-1 0-7391-4634-3 Includes bibliographical references and index.A Note on the Epigraphs; Introduction; I; Leaving a Lasting Impression- Why Branding Works; 1; KISS Your Money Goodbye: Why Fans Can't Get Enough of the Biggest Rock Brand in History; 2; Highway to Heavenly Profits: The Marriage of AC/DC and Walmart; 3; The Family Osbourne: A Narrative of Domesticity Tames and Enriches the Godfather of Heavy Metal; 4; "Moving Her Hips, Like, Yeah": Can Miley Survive the Hannah Brand?; 5; Birds of a Feather? Positioning Phish in Relation to the Grateful Dead in Rolling Stone Album Reviews; 6; Fandom of the Internet: Musician Communication with Fans; IIImage is Everything-How Religion and Politics Play in Pop Music Culture7; Manson's R + J: Shakespeare, Marilyn Manson, and the Fine Art of Scapegoating; 8; Leading People to Rock: Evangelism in the Music of Bon Jovi; 9; It's Still Rock and Roll to Me: Christian Heavy Metal and the Problem of Authenticity; 10; Sight and Sound: How a Louis Vuitton Advertisement Defines Rock and Roll; 11; Kanye West: A Critical Analysis of Mass Media's Representation of a Cultural Icon's Rhetoric and Celebrity; 12; Country Crooners and FOX News: Country Music and the FOX Brand; IIIOutlasting Your 15 Minutes- Making the Medium Work for You in Life and Death13; "If You Catch Me at the Border I Got Visas in My Name": Borders, Boundaries, and the Production of M.I.A.; 14; Your "American Idol": The Intersection Between Reality Television, Ideology and the Music Industry in Popular Culture; 15; Gaming the Guitar: Aerosmith, Metallica, The Beatles, and the Music Video Game Revolution; 16; How Much Does It Cost If It's Free? The Selling (Out) of Elvis Presley1; 17; When Death Goes Digital: Michael Jackson, Twenty-First-Century Celebrity Death, and the Hero's JourneyAcknowledgmentsAbout the Contributors; About the EditorRock Brands: Selling Sound in a Media Saturated Culture, edited by Elizabeth Barfoot Christian, explores how different genres of popular music are branded and marketed today. The authors provide research explaining how established mainstream artists and bands, from Christian heavy metal bands to Kanye West to Marilyn Manson, are continuing to market themselves in an ever-changing technological world, and how such bands can use integrated marketing communication to effectively 'brand' themselves to prevent technology and delivery changes from stifling their success. Rock Brands further addresseRock musicMarketingBranding (Marketing)Social aspectsRock musicMarketing.Branding (Marketing)Social aspects.781.66068/8Christian Elizabeth Barfoot1971-1843313MiAaPQMiAaPQMiAaPQBOOK9910956877603321Rock brands4424401UNINA