02498nam 2200577 a 450 991095490520332120251117094925.00-292-73785-8(CKB)2550000000082121(OCoLC)774026846(CaPaEBR)ebrary10579860(SSID)ssj0000687753(PQKBManifestationID)12328861(PQKBTitleCode)TC0000687753(PQKBWorkID)10755989(PQKB)11170993(MiAaPQ)EBC3571768(Au-PeEL)EBL3571768(CaPaEBR)ebr10579860(EXLCZ)99255000000008212120110713d2011 uy 0engurcn|||||||||txtccrCensorship and sexuality in Bombay cinema /Monika Mehta1st ed.Austin University of Texas Press20111 online resource (319 p.)Based on the author's thesis (doctoral)--University of Minnesota, 2001.Includes bibliographical references and index.Beginning -- Revisiting the history of film censorship -- Close-up: the Central Board of Film Certification -- The first sex-education film: a classification conundrum -- Satyam shivam sundaram: (im)proper suturing of sound, scar, and stardom -- An anomalous dilemma: to ban or to certify the self-sacrificial wife in Pati parmeshwar -- Tracking the twists and turns in the Khalnayak -- Debates on censorship -- Dilwale dulhania le jayenge: certifying a "family love" story -- From censorship to selections.India produces an impressive number of films each year in a variety of languages.Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema.Motion picturesCensorshipIndiaBombayMotion picturesIndiaBombayHistory20th centurySex in motion picturesSex role in motion picturesMotion picturesCensorshipMotion picturesHistorySex in motion pictures.Sex role in motion pictures.303.3/76Mehta Monika1970-845765MiAaPQMiAaPQMiAaPQBOOK9910954905203321Censorship and sexuality in Bombay cinema1888126UNINA