03756nam 22007691 450 991095470520332120251211121132.097866125521209781441169228144116922997816289287231628928727978128255212812825521209781441169860144116986510.5040/9781628928723(CKB)2670000000038844(EBL)516735(OCoLC)649832775(SSID)ssj0000418051(PQKBManifestationID)11929491(PQKBTitleCode)TC0000418051(PQKBWorkID)10370405(PQKB)11240446(MiAaPQ)EBC516735(Au-PeEL)EBL516735(CaPaEBR)ebr10381390(CaONFJC)MIL255212(OCoLC)893334889(OCoLC)1154850695(UtOrBLW)bpp09257927(UtOrBLW)BP9781628928723BC(Perlego)883387(EXLCZ)99267000000003884420150227d2010 uy 0engur|n|---|||||txtccrFraming the nation documentary film in interwar France /Alison J. Murray Levine1st ed.New York :Continuum,2010.1 online resource (238 p.)Description based upon print version of record.9781441139634 144113963X 9780826431875 0826431879 Includes bibliographical references and indexes.1. An Introduction -- 2. Truth Peddling: Documentary Film in Interwar France -- 3. "The Revolt of the Beets": Educational Film in Rural France -- 4. "Model Native Villages:" Educational Film in the French Colonies -- 5. "Mysterious and Subtle Cheesemaking": Filming Rural France -- 6. "Carcasses of Manioc-Eaters": Filming Colonial France -- 7. Conclusion: Recycling Rural Images - The Vichy Propaganda Machine -- Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas. Documentary filmsSocial aspectsFranceHistory20th centuryDocumentary filmsFranceHistory and criticismFranceHistory20th centuryDocumentary filmsSocial aspectsHistoryDocumentary filmsHistory and criticism.070.18094409042Levine Alison J. Murray(Alison Joan Murray),1968-1798211UtOrBLWUtOrBLWUkLoBPBOOK9910954705203321Framing the nation4340854UNINA