02678nam 2200637 a 450 991095382000332120240529195555.01-4529-4678-70-8166-7676-3(CKB)2550000000040364(EBL)730145(OCoLC)741492680(SSID)ssj0000522028(PQKBManifestationID)11381406(PQKBTitleCode)TC0000522028(PQKBWorkID)10527706(PQKB)11769341(StDuBDS)EDZ0001170710(MiAaPQ)EBC730145(OCoLC)859380615(MdBmJHUP)muse29851(Au-PeEL)EBL730145(CaPaEBR)ebr10482232(CaONFJC)MIL525702(EXLCZ)99255000000004036420100809d2011 uy 0engur|n|---|||||txtccrDigital art and meaning reading kinetic poetry, text machines, mapping art, and interactive installations /Roberto Simanowski1st ed.Minneapolis University of Minnesota Press20111 online resource (328 p.)Electronic mediations ;v. 35Description based upon print version of record.0-8166-6738-1 0-8166-6737-3 Includes bibliographical references and index.Introduction : close reading -- Digital literature -- Kinetic concrete poetry -- Text machines -- Interactive installations -- Mapping art -- Real-time Web sculpture -- Epilogue : code, interpretation, avant-garde.In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counterhype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This is where Roberto Simanowski intervenes, demonstrating how such critical work can be done. ""Digital Art and Meaning"" offers close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installatioElectronic mediations ;v. 35.Computer artInteractive artComputer art.Interactive art.776Simanowski Roberto1093408MiAaPQMiAaPQMiAaPQBOOK9910953820003321Digital art and meaning4450920UNINA