04061nam 2200769Ia 450 991095338050332120200520144314.09780674042339067404233610.4159/9780674042339(CKB)1000000000786795(StDuBDS)AH23050843(SSID)ssj0000124991(PQKBManifestationID)11146538(PQKBTitleCode)TC0000124991(PQKBWorkID)10024759(PQKB)10076278(Au-PeEL)EBL3300395(CaPaEBR)ebr10318387(OCoLC)923111027(DE-B1597)574538(DE-B1597)9780674042339(MiAaPQ)EBC3300395(Perlego)1148476(EXLCZ)99100000000078679519980121d1998 uy 0engur|||||||||||txtccrColor & culture Black writers and the making of the modern intellectual /Ross Posnock1st ed.Cambridge, MA Harvard University Press19981 online resource (353p.)Bibliographic Level Mode of Issuance: Monograph9780674143098 0674143094 9780674003798 0674003799 Includes bibliographical references (p. [331]-346) and index.Frontmatter --Acknowledgments --Contents --Introduction: Culture Has No Color --1 After Identity Politics --2 The Unclassified Residuum --3 Black Intellectuals and Other Oxymorons: Du Bois and Fanon --4 The Distinction of Du Bois: Aesthetics, Pragmatism, Politics --5 Divine Anarchy: Du Bois and the Craving for Modernity --6 Motley Mixtures: Locke, Ellison, Hurston --7 The Agon Black Intellectual: Baldwin and Baraka --8 Cosmopolitan Collage: Samuel Delany and Adrienne Kennedy --Notes --Works Cited --IndexThis text offers a historical perspective on 'black intellectuals' as a social category, ranging over a century - from Frederick Douglass to Patricia Williams. These writers challenge the idea that high culture is 'white culture.'The coining of the term "intellectuals" in 1898 coincided with W.E.B. Du Bois's effort to disseminate values and ideals unbounded by the colour line. Du Bois's ideal of a "higher and broader and more varied human culture" is at the heart of a cosmopolitan tradition that this text identifies as a missing chapter in American literary and cultural history.;This text offers an historical perspective on "black intellectuals" as a social category, ranging over a century - from Frederick Douglass to Patricia Williams, from Du Bois, Pauline Hopkins, and Charles Chestnutt to Nella Larsen, Zora Neale Hurston, and Alain Locke. These writers challenge two durable assumptions: that high culture is "white culture"; and that racial uplift is the sole concern of the black intellectual.Color and cultureAmerican literatureAfrican American authorsHistory and criticismLanguage and cultureUnited StatesHistory20th centuryAmerican literature20th centuryHistory and criticismAfrican AmericansIntellectual lifeAfrican Americans in literatureBlack peopleIntellectual lifeUnited StatesIntellectual life20th centuryAmerican literatureAfrican American authorsHistory and criticism.Language and cultureHistoryAmerican literatureHistory and criticism.African AmericansIntellectual life.African Americans in literature.Black peopleIntellectual life.810.9896073Posnock Ross1814263MiAaPQMiAaPQMiAaPQBOOK9910953380503321Color & culture4367996UNINA03254nam 2200577 a 450 991100843610332120200520144314.01-282-18530-697866121853041-84615-533-910.1515/9781846155338(CKB)1000000000764746(EBL)1025112(OCoLC)648400323(SSID)ssj0000138434(PQKBManifestationID)12045382(PQKBTitleCode)TC0000138434(PQKBWorkID)10118930(PQKB)10784587(MiAaPQ)EBC1025112(UkCbUP)CR9781846155338(DE-B1597)676356(DE-B1597)9781846155338(EXLCZ)99100000000076474620080211d2007 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierDiamela Eltit reading the mother /Mary GreenWoodbridge, Suffolk, UK ;Rochester, New York Tamesis20071 online resource (171 pages) digital, PDF file(s)Coleccion Tamesis. Serie A, Monografias ;249Title from publisher's bibliographic system (viewed on 03 May 2023).1-85566-155-1 Includes bibliographical references (p. [157]-168) and index.CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; 1. Language, Vision and Feminine Subjectivity in Lumpérica; 2. Por la patria: Mother, Family and Nation; 3. Motherhood and Gender in El cuarto mundo; 4. Vaca sagrada: Violence, Abjection and the Maternal; 5. Writing the Mother in Los vigilantes; 6. The Myth of Motherhood in Los trabajadores de la muerte; EPILOGUE; BIBLIOGRAPHY; INDEXThirty-five years after her death, this book reassesses the Argentinian poet Alejandra Pizarnik (1936-72) in the light of recent publications of her 'complete' poetry and prose, diaries, and previously unavailable archive material.The essays in this volume explore Pizarnik's work from new angles: they examine her production as a literary critic, revealing her intense identificatory strategies as a reader, and the impact of such activities upon her own creative process. They also weigh up the influence of her ambiguous attitudes towards sexuality on her poetic personae, as well as the ways in which her concern with sex inspires her experimentation with humorous prose. New approaches are taken to key texts and themes: in the case of the much-studied work, 'La condesa sangrienta', through a detailed philosophical reading involving comparisons with Kafka, and, in the case of the theme of the split subject, through the lens of translation.By broadening the scope of Pizarnik studies, this book will act as a catalyst for further research into the work of this compelling poet.Coleccion Tamesis.Serie A,Monografias ;249.Motherhood in literatureMotherhood in literature.863.64Green Mary1971-1013288MiAaPQMiAaPQMiAaPQBOOK9911008436103321Diamela Eltit4396136UNINA