03203nam 2200841Ia 450 991095323500332120200520144314.01-134-63311-41-134-63312-21-280-31743-40-203-45772-210.4324/9780203457726(CKB)111056485538946(SSID)ssj0000071247(PQKBManifestationID)11109926(PQKBTitleCode)TC0000071247(PQKBWorkID)10071390(PQKB)11742654(MiAaPQ)EBC169931(Au-PeEL)EBL169931(CaPaEBR)ebr10054085(CaONFJC)MIL31743(OCoLC)51045870(OCoLC)958105695(OCoLC)437078615(OCoLC-P)437078615(FlBoTFG)9780203457726(OCoLC)40610953(FINmELB)ELB153649(EXLCZ)9911105648553894619990427d2000 uy 0engurmn|---|||||txtccrShakespeare without women representing gender and race on the Renaissance stage /Dympna Callaghan1st ed.London ;New York Routledge2000xiii, 219 p. illAccents on ShakespeareBibliographic Level Mode of Issuance: Monograph0-415-20231-0 0-415-20232-9 Includes bibliographical references (p. [187]-209) and index.chapter Introduction --Cleopatra had a way with her --chapter 1 And all is semblative a woman's part --Body politics and Twelfth Night --chapter 2 The castrator's song --Female impersonation on the early modern stage --chapter 3 Othello was a white man: Properties of race on --Properties of race on Shakespeare's stage /Shakespeare's stage --chapter 4 Irish memories in --chapter 5 What is an audience?.Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.Accents on Shakespeare.TheaterCastingEnglandHistory16th centuryTheaterCastingEnglandHistory17th centuryFeminism and theaterEnglandHistoryFemale impersonatorsEnglandHistoryTheater and societyEnglandHistoryAfricans in literatureBlack people in literatureWomen in literatureTheaterCastingHistoryTheaterCastingHistoryFeminism and theaterHistory.Female impersonatorsHistory.Theater and societyHistory.Africans in literature.Black people in literature.Women in literature.822.3/3Callaghan Dympna625072MiAaPQMiAaPQMiAaPQBOOK9910953235003321Shakespeare Without Women1095744UNINA