03485oam 2200601 450 991013752280332120230621135410.00-472-12133-2(CKB)3710000000571251(EBL)4312113(SSID)ssj0001591346(PQKBManifestationID)16291165(PQKBTitleCode)TC0001591346(PQKBWorkID)12538016(PQKB)10533188(MiAaPQ)EBC4312113(OCoLC)1049856852(MdBmJHUP)muse47103(MiAaPQ)EBC6869059(EXLCZ)99371000000057125120150511h20152015 uy 0engur|n|---|||||txtccrDigital Samaritans[electronic resource] Rhetorical Delivery and Engagement in the Digital Humanities /Jim RidolfoAnn Arbor, Michigan :University of Michigan Press,2015.©20151 online resource (159 pages)Digital rhetoric collaborativeDescription based upon print version of record.0-472-05280-2 0-472-07280-3 Includes bibliographical references (pages 147-156) and index.Introduction to digital Samaritans -- Between the raindrops and two fires: a brief history of the Samaritans and their diaspora of manuscripts -- From parchment to bytes: digital delivery as a rhetorical strategy -- Leveraging textual diaspora: rhetoric and the digital humanities as engaged scholarship -- The Good Samaritan: at the crossroads of rhetoric and the digital humanities.Digital Samaritans explores rhetorical delivery and cultural sovereignty in the digital humanities. The exigence for the book is rooted in a practical digital humanities project based on the digitization of manuscripts in diaspora for the Samaritan community, the smallest religious/ethnic group of 770 Samaritans split between Mount Gerizim in the Palestinian Authority and in Holon, Israel. Based on interviews with members of the Samaritan community and archival research, Digital Samaritans explores what some Samaritans want from their diaspora of manuscripts, and how their rhetorical goals and objectives relate to the contemporary existential and rhetorical situation of the Samaritans as a living, breathing people. How does the circulation of Samaritan manuscripts, especially in digital environments, relate to their rhetorical circumstances and future goals and objectives to communicate their unique cultural history and religious identity to their neighbors and the world? Digital Samaritans takes up these questions and more as it presents a case for collaboration and engaged scholarship situated at the intersection of rhetorical studies and the digital humanities.Digital rhetoric collaborative.Library materialsDigitizationLearning and scholarshipTechnological innovationsSamaritansHistoriographyLibrary materialsDigitization.Learning and scholarshipTechnological innovations.SamaritansHistoriography.296.8/17072Ridolfo Jim1979-936220MdBmJHUPMdBmJHUPUkMaJRUBOOK9910137522803321Digital Samaritans2109079UNINA02172nam 22005293a 450 991094913640332120250204000811.0(CKB)37408261100041(ScCtBLL)441a8f23-5bf7-4baa-af4a-ec92c5f618be(OCoLC)1076629147(oapen)doab37302(EXLCZ)993740826110004120250204i20162020 uu gerur|||||||||||txtrdacontentcrdamediacrrdacarrierDas zusammengedrängte GedenkenSigrid Eyb-GreenWeitraVerlag Bibliothek der Provinz GmbH2016Weitra :Verlag Bibliothek der Provinz GmbH,2016.1 online resource (1 p.)9783990280751 3990280759 In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco cycle in the Ceremonial Hall of the Niederösterreichische Statthalterei (Lower Austrian Government Building, Vienna), depicting scenes from Austrian history. Iconographic aspects of each painting, using pictorial and literary sources as well as pointing out biographical connections and artistic forebears and influences, are being discussed. The complex interplay between art technology and conceptual statements manifests itself particularly articulate in the focal point of cartoon and fresco; accordingly, this study approaches Kupelwiesers work through the description of the materials he used and the way he processed them.The Artsbicssc19. Jahrhundertartistic processcartoonfrescoe cycleFreskenzyklusFreskoGeschichtsdarstellunghistory paintingKartonLeopold KupelwieserPapierWerkprozessWienThe ArtsEyb-Green Sigrid1222613ScCtBLLScCtBLLBOOK9910949136403321Das zusammengedrängte Gedenken2835794UNINA