02311nam 22004813 450 991091564650332120230625090336.02-14-014859-2(CKB)4100000011247227(MiAaPQ)EBC30454303(Au-PeEL)EBL30454303(Exl-AI)30454303(EXLCZ)99410000001124722720230625d2020 uy 0freurcnu||||||||txtrdacontentcrdamediacrrdacarrierLa Nouvelle Femme Dans le Théâtre Britannique 1890-19141st ed.Paris :Editions L'Harmattan,2020.©2020.1 online resource (289 pages)Univers Théâtral Series2-343-10827-7 Eleanor Stewart's book examines the emergence of the 'New Woman' in British theatre from 1890 to 1914, a period marked by significant social and political changes. The work explores how the theatre served as a platform for feminist ideas, focusing on three key dramatic movements: Society Drama, New Drama, and suffragist theatre. Stewart analyzes the transformation of female characters from private dissenters to active militants, highlighting the contributions of playwrights like Elizabeth Robins and Cicely Hamilton. The book delves into the intersection of gender identity and drama, emphasizing the impact of realism in reshaping theatrical narratives. Intended for scholars and enthusiasts of theatre and feminist studies, it provides a detailed exploration of the cultural and artistic exchanges of the time.Generated by AI.Univers Théâtral SeriesLa nouvelle femme dans le théâtre britannique Nouvelle Femme dans le thé"tre britanniqueNouvelle femme dans le théâtre britannique Feminism and theaterGenerated by AIWomen in the theaterGenerated by AIFeminism and theater.Women in the theater.Stewart Eleanor214764MiAaPQMiAaPQMiAaPQBOOK9910915646503321La Nouvelle Femme Dans le Théâtre Britannique4301751UNINA