02461oam 2200505 450 991081644420332120190911100040.00-203-08384-91-299-13709-11-136-18777-410.4324/9780203083840 (OCoLC)890019639(MiFhGG)GVRL8PPH(EXLCZ)99267000000033139220120511d2013 uy 0engurun|---uuuuatxtccrEvidence /Charanjit Singh Landa10th ed.New York :Routledge,2013.1 online resource (xvi, 217 pages)Routledge questions & answers series"Routledge revision Q&A."--Cover.Includes index.0-415-69904-5 Includes bibliographical references and index.Front Cover; Evidence 2013-2014; Copyright Page; Contents; Table of Cases; Table of Legislation; Guide to the Companion Website; Introduction; 1. Basic Concepts; 2. Burden and Standard of Proof; 3. Presumptions, Competence and Compellability; 4. Hearsay I; 5. Hearsay II; 6. Hazardous Evidence; 7. Confessions and Ill-Gotten Evidence; 8. Character Evidence I; 9. Character Evidence II; 10. The Course of Testimony; 11. Opinion Evidence; 12. Privilege and Public Policy; IndexRoutledge Q&As give you the tools to practice and refine your exam technique, showing you how to apply your knowledge to maximum effect in an exam situation. Each book contains up to fifty essay and problem-based questions on the most commonly examined topics, complete with expert guidance and fully worked model answers. These new editions for 2013-2014 will provide you with the skills you need for your exams by:Helping you to be prepared: each title in the series has an introduction presenting carefully tailored advice on how to approach assessment for yRoutledge questions & answers series.Q&A evidence 2013-2014Q & A evidence 2013-2014Q and A evidence 2013-2014Evidence (Law)Great BritainOutlines, syllabi, etcEvidence (Law)345.41/06Singh-Landa Charanjit.1633785MiFhGGMiFhGGBOOK9910816444203321Evidence3973708UNINA02668nam 2200349z- 450 991088795920332120231214133424.0(CKB)5580000000297149(oapen)https://directory.doabooks.org/handle/20.500.12854/79735(EXLCZ)99558000000029714920202203d2022 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierdis/cordThinking Sound through Agential RealismBrooklyn, NYpunctum books20221 electronic resource (146 p.)1-68571-046-8 dis/cord is an experiment in reading sound. Embarking from Karen Barad’s early work on agential realism, it diffracts quantum physics through sound art, finding the sympathetic resonances that allow them to speak together. dis/cord believes in the materialism of sound, and strives not to understand it, but to become entangled with it. It asserts that impartial observation is impossible and understands immersion as a participatory and collaborative act. Sound art pieces provide the backdrop for a series of reflections on space, time, and matter. They trace the “marks on bodies” that sound leaves behind in its ephemeral vibration, finding new forms of sensation and interpretation through the pain and hearing loss that a life devoted to sound can cause. Drifting between sound studies, artistic research, musicology, and craftsmanship, dis/cord uses agential realism as a platform to approach thinking with, through, and about sound. Following Barad’s commitment to diffraction as a form of critique, it superposes a variety of sounds and ideas in the hope that their consonances and dissonances can provoke new ways of engaging with sound as a cultural and material agent. It is neither an appeal to scientist positivism nor a mystical immersion in listening. Rather, it builds from the intertwined physical and metaphysical curiosities that characterize Barad’s work, proposing a corporeal engagement with the disjointed temporal and spacial (dis)continuities that sonic materialism helps to build, understand, and create.Dis/cord Theory of music & musicologybicsscPhilosophy: aestheticsbicsscagential realism;artistic research;embodiment;Karen Barad;new materialism;noise;sound studiesTheory of music & musicologyPhilosophy: aestheticsToksöz Fairbairn Kevinauth1771552BOOK9910887959203321Dis4262046UNINA