02057nam0 22003253i 450 VAN025376520230202020540.244N978135016243320230126d2022 |0itac50 baengGB|||| |||||Everyday Acts of DesignLearning in a Time of EmergencyZoy Anastassakis and Marcos MartinsTranslated from Portuguese by André Jobim MartinsLondonBloomsbury Visual Arts2022224 p.ill.24 cmFrom 2016-2018, teachers and students at the State University of Rio de Janeiro in Brazil found themselves at the center of a crisis. A new right-wing government suspended payment of staff salaries and student scholarships and stopped funding basic maintenance. Everyday Acts of Design tells the story of how the university’s design school reacted to the crisis: not with despondency or despair, but by promoting a series of radical teaching experiments. 001VAN02536552001 Designing in Dark Times210 LondonBloomsbury Visual ArtsCritical PedagogyVANC037263ARGBLondonVANL000015AnastassakisZoyVANV2015991275037MartinsMarcosVANV2068431275038Bloomsbury <editore>VANV144572650ITSOL20230616RICAhttps://www.bloomsburycollections.com/book/everyday-acts-of-design-learning-in-a-time-of-emergency/E-book – Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o ShibbolethBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALEIT-CE0107VAN01NVAN0253765BIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE01CONS E-Book SBAARCH 01EBA253765 20230126 Collezione e archivi E-book su piattaforma Bloomsbury - Architecture, fashion e design 2022Everyday Acts of Design3004160UNICAMPANIA02189nam 2200385z- 450 991088791580332120230221125229.0(CKB)5860000000047098(oapen)https://directory.doabooks.org/handle/20.500.12854/83046(EXLCZ)99586000000004709820202206d2012 |y 0itaurmn|---annantxtrdacontentcrdamediacrrdacarrierIl "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm HauffFirenzeFirenze University Press20121 electronic resource (278 p.)Premio Tesi di Dottorato88-927-3559-4 Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul.linguisticsbicsscTranslation & interpretationbicsscLiterature & literary studiesbicsscLiterature: history & criticismbicssclinguisticsTranslation & interpretationLiterature & literary studiesLiterature: history & criticismAcciaioli Stefaniaauth847164BOOK9910887915803321Il "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff4271578UNINA