02672nam 22005893 450 991088791090332120250507084509.0(CKB)4920000000859063(BIP)051455068(MiAaPQ)EBC31860540(Au-PeEL)EBL31860540(OCoLC)1482263053(EXLCZ)99492000000085906320250507d2014 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Heian Court Poetry As World Literature From the Point of View of Early Italian Poetry1st ed.Florence :Firenze University Press,2014.©2014.1 online resource (xxvii, 260 p.) Strumenti per la Didattica e la Ricerca Series ;v.15988-5518-952-2 88-6655-600-9 What could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakashū in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?.Strumenti per la Didattica e la Ricerca SeriesHeian Court Poetry as World Literature Italian poetryTo 1400History and criticismItalian poetryItalySicilyHistory and criticismJapanese poetryHeian period, 794-1185History and criticismWakaHistory and criticismPolitics and literatureItalyHistoryTo 1500Politics and literatureJapanHistoryTo 1500Comparative literatureItalian and JapaneseItalian poetryHistory and criticism.Italian poetryHistory and criticism.Japanese poetryHistory and criticism.WakaHistory and criticism.Politics and literatureHistoryPolitics and literatureHistoryComparative literatureItalian and Japanese.Gerlini Edoardo1243756MiAaPQMiAaPQMiAaPQBOOK9910887910903321The Heian court poetry as world literature2885009UNINA