00917nam a22002651i 450099100422141970753620031009142947.0031111s1971 gw |||||||||||||||||ger 3476101029b12548777-39ule_instARCHE-058204ExLDip.to LingueitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.830Fehr, Karl131667Conrad Ferdinand Meyer /Karl FehrStuttgart :Metzler,1971VIII, 124 p. ;19 cmSammlung Metzler ;102Meyer, Conrad Ferdinand.b1254877702-04-1413-11-03991004221419707536LE012 F.G. 12412012000053298le012-E0.00-l- 00000.i1299870913-11-03Conrad Ferdinand Meyer174920UNISALENTOle01213-11-03ma -gergw 0100863nam a2200241 i 4500991002130599707536070213s2006 uk 000 0 eng d0746310129b13480418-39ule_instDip.to LingueitaWiddowson, Peter458029Graham Swift /Peter WiddowsonTavistock :Northcote,c2006123 p. ;21 cmWriters And Their WorksContiene riferimenti bibliografici ed indiceSwift, GrahamCritica ed interpretazione.b1348041813-02-0713-02-07991002130599707536LE012 828.914 SWI WID12012000109308le012-E0.00-l- 01010.i1436639313-02-07Graham Swift1095945UNISALENTOle01213-02-07ma -enguk 0001662nam a2200301 i 450099100432753830753620241127150721.0240610s1824 it er 001 0 ita dt.r. o.nei.i- daso (3)1824 (A)3Bibl. Interfacoltà T. PellegrinoitaSocioculturale Scsita34023Liberatore, Pasquale,<1763-1842>494714[Trattati di giurisprudenza civile e penale /di P. Liberatore][Napoli] :[dai torchi di Saverio Giordano ; si vende in Napoli : nella libreria di B. Borel ; in Palermo : presso il libraio Carlo Beuf],[1823-1824]4 volumi ;8°Corsivo ; romano3: [Volume 3.]:Trattato dell'enfiteusi. - [1824]. - [2], 129, [1] p. ((Titolo dall'occhietto. - Segnatura: π4 9-15(8) 16(6). - Descrizione basata sul v. 3 mutilo del frontespizio cfr. OPAC SBN TA1E000591Il fondo proviene dalla biblioteca privata dell’avv. Sponsiello, avvocato del foro leccese alla metà dell’800. Tale fondo è costituito da testi e periodici dell’area giuridica, prevalentemente di diritto civile, risalenti al secolo XIX. La consistenza complessiva del fondo è di circa 265 volumi (incluse le riviste rilegate in volume)LE0021 esemplare, solo v. 3LE002Sponsiello, ?, <avvocato ;sec. 19.>,possessore precedenteLE002Giordano, SaverioBorel, B.Beuf, CarloItaliaNapoli991004327538307536Trattati di giurisprudenza civile e penale4164840UNISALENTO04707nam 22006375 450 991087958690332120240917001900.09783031645389303164538310.1007/978-3-031-64538-9(MiAaPQ)EBC31601180(Au-PeEL)EBL31601180(CKB)33987632600041(DE-He213)978-3-031-64538-9(EXLCZ)993398763260004120240813d2024 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierQueering Polishness in Polish Theatre Since 2005 Dissenting Bodies /by Jonas Vanderschueren1st ed. 2024.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2024.1 online resource (259 pages)9783031645372 3031645375 Chapter1: Introduction -- Chapter 2: The transformative power of dissensus: Polish normativity and queer dissensus in contemporary Polish theatre -- Chapter 3; Exploring the field, reshaping the field: On the theatre field in Poland, precarity and protest -- Chapter 4; Reorienting the nation: On Polish national identity, weak messianism, and queer failure -- Chapter 5; Challenging the Artistic Genius: On collaborative modes of production in theatre and performance -- Chapter 6; Decolonizing Polishness: On postcolonial theory, racism, and transphobia -- Chapter 7; Conclusion: On Polish normativity (revisited) and missing threads.Theatre has long been an art form at the centre of public life in Poland. Whether it is the self-professed poet-prophets of the Romantic era, or the dissident theatre makers working under the strictures of state socialism, the art form has played a vital role in the development of Polish culture and politics in the context of shifting foreign occupations. This book explores the relationship between contemporary Polish theatre makers and contemporary notions of Polishness and argues that queer theory, and specifically a Polish appropriation of queer theory, can be a crucial element to better understand the politicality of the contemporary Polish theatre field. It does this by focusing on critical theatre productions which are produced at the margins of the Polish theatre field, a choice which has been made as the field is dominated by traditional drama theatres which reproduce a Polish variation on the Western canon. This makes smaller, atypical, and independent theatre productions all the more significant, as they signify a refusal to continue the traditional role of the Polish theatre field in reproducing the canon of Polish Romanticism. As such, the book argues that contemporary Polish theatre has been marked by a struggle between those building performances and state authorities that see those creations as a threat to their authority. Jonas Vanderschueren is a postdoctoral researcher at the Cultural Studies Institute of KU Leuven, Belgium, where he specializes in contemporary Polish theatre, performance, and culture. He recently obtained his Ph.D. in Cultural Studies, which investigated the artistic strategies that contemporary Polish makers have developed to resist the pressures to comply with Polish normativity, an inseparable collision between Polish nationalism and heteronormativity. He is currently working on REFAM, a CELSA-funded research collaboration between KU Leuven, University of Tartu, and Jagiellonian University. Previously he was affiliated with the Department for Central and Eastern European Languages and Cultures of Ghent University, while he has also worked as a freelance journalist for publications as diverse as Knack, MO*, SamPol, Etcetera, and Jacobin NL.TheaterHistoryPerforming artsTheaterSexIdentity politicsContemporary Theatre and PerformanceTheatre and Performance ArtsGender StudiesPolitics and GenderTheaterHistory.Performing arts.Theater.Sex.Identity politics.Contemporary Theatre and Performance.Theatre and Performance Arts.Gender Studies.Politics and Gender.792.09438Vanderschueren Jonas1765154MiAaPQMiAaPQMiAaPQBOOK9910879586903321Queering Polishness in Polish Theatre Since 20054206386UNINA