00965nam a2200253 i 4500991001422509707536111010s2010 it b 000 0 ita d9788874977055b14012054-39ule_instRespinti, Marco253524L'ora dei "Tea Party" :diario di una rivolta americana /Marco RespintiChieti :Solfanelli,c2010154 p. ;21 cmU.S. polis ;1Contoene riferimenti bibliogarficiObama, BarackMovimento dei Tea PartyStati Uniti d'AmericaPolitics e governo2009.b1401205410-10-1110-10-11991001422509707536LE007 Sc. Pol. 937 RES 01.0112007000217047le007LE007 2010 Sc.Polit.pE12.00-l- 01010.i1533005910-10-11Ora dei "Tea Party"242263UNISALENTOle00710-10-11ma -itait 2001113nam a2200289 i 450099100177025970753620020507151533.0000316s1991 it ||| | ita 8813175590b11561622-39ule_instLE02724924ExLDip.to Studi GiuridiciitaPR-IX/APR-XVI/ABussani, Mauro159202La colpa soggettiva :modelli di valutazione della condotta nella responsabilita extracontrattuale /Mauro BussaniPadova :CEDAM,1991xii, 264 p. ;24 cm.Le monografie di Contratto e impresa ;21ColpaDiritto civile.b1156162221-09-0602-07-02991001770259707536LE027 PR-XVI/A 832LE027I-1490le027-E0.00-l- 00000.i1176404102-07-02LE027 PR-IX/A 312027000189397le027-E0.00-l- 01010.i1176405302-07-02Colpa soggettiva195340UNISALENTOle02701-01-00ma -itait 3204707nam 22006375 450 991087958690332120240917001900.09783031645389303164538310.1007/978-3-031-64538-9(MiAaPQ)EBC31601180(Au-PeEL)EBL31601180(CKB)33987632600041(DE-He213)978-3-031-64538-9(EXLCZ)993398763260004120240813d2024 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierQueering Polishness in Polish Theatre Since 2005 Dissenting Bodies /by Jonas Vanderschueren1st ed. 2024.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2024.1 online resource (259 pages)9783031645372 3031645375 Chapter1: Introduction -- Chapter 2: The transformative power of dissensus: Polish normativity and queer dissensus in contemporary Polish theatre -- Chapter 3; Exploring the field, reshaping the field: On the theatre field in Poland, precarity and protest -- Chapter 4; Reorienting the nation: On Polish national identity, weak messianism, and queer failure -- Chapter 5; Challenging the Artistic Genius: On collaborative modes of production in theatre and performance -- Chapter 6; Decolonizing Polishness: On postcolonial theory, racism, and transphobia -- Chapter 7; Conclusion: On Polish normativity (revisited) and missing threads.Theatre has long been an art form at the centre of public life in Poland. Whether it is the self-professed poet-prophets of the Romantic era, or the dissident theatre makers working under the strictures of state socialism, the art form has played a vital role in the development of Polish culture and politics in the context of shifting foreign occupations. This book explores the relationship between contemporary Polish theatre makers and contemporary notions of Polishness and argues that queer theory, and specifically a Polish appropriation of queer theory, can be a crucial element to better understand the politicality of the contemporary Polish theatre field. It does this by focusing on critical theatre productions which are produced at the margins of the Polish theatre field, a choice which has been made as the field is dominated by traditional drama theatres which reproduce a Polish variation on the Western canon. This makes smaller, atypical, and independent theatre productions all the more significant, as they signify a refusal to continue the traditional role of the Polish theatre field in reproducing the canon of Polish Romanticism. As such, the book argues that contemporary Polish theatre has been marked by a struggle between those building performances and state authorities that see those creations as a threat to their authority. Jonas Vanderschueren is a postdoctoral researcher at the Cultural Studies Institute of KU Leuven, Belgium, where he specializes in contemporary Polish theatre, performance, and culture. He recently obtained his Ph.D. in Cultural Studies, which investigated the artistic strategies that contemporary Polish makers have developed to resist the pressures to comply with Polish normativity, an inseparable collision between Polish nationalism and heteronormativity. He is currently working on REFAM, a CELSA-funded research collaboration between KU Leuven, University of Tartu, and Jagiellonian University. Previously he was affiliated with the Department for Central and Eastern European Languages and Cultures of Ghent University, while he has also worked as a freelance journalist for publications as diverse as Knack, MO*, SamPol, Etcetera, and Jacobin NL.TheaterHistoryPerforming artsTheaterSexIdentity politicsContemporary Theatre and PerformanceTheatre and Performance ArtsGender StudiesPolitics and GenderTheaterHistory.Performing arts.Theater.Sex.Identity politics.Contemporary Theatre and Performance.Theatre and Performance Arts.Gender Studies.Politics and Gender.792.09438Vanderschueren Jonas1765154MiAaPQMiAaPQMiAaPQBOOK9910879586903321Queering Polishness in Polish Theatre Since 20054206386UNINA