01217nam 2200337Ia 450 99639412980331620200824125005.0(CKB)3810000000006265(EEBO)2240969398(OCoLC)ocm12560456e(OCoLC)12560456(EXLCZ)99381000000000626519850916d1679 uy |engurbn||||a|bb|Argumentum ad hominem, or, An argument against Protestants, who hold that papists, quà tales, or, Living and dying papists may be saved[electronic resource] /by Thomas WhorwoodLondon Printed for Nathaniel Ranew ...1679[16], 17, [5] pReproduction of original in Huntington Library.eebo-0113ProtestantismControversial literatureProtestantismWhorwood Thomas1618 or 19-1680.1010937EAAEAAm/cWaOLNBOOK996394129803316Argumentum ad hominem, or, An argument against Protestants, who hold that papists, quà tales, or, Living and dying papists may be saved2340125UNISA03413nam 22005055 450 991087219940332120250808085400.03-031-60668-X10.1007/978-3-031-60668-7(MiAaPQ)EBC31522046(Au-PeEL)EBL31522046(CKB)32704648400041(DE-He213)978-3-031-60668-7(EXLCZ)993270464840004120240708d2024 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierIssues and Singularity in the British Media Volume 1 Ink, click and screen: from "imagined communities" to "soft power" /edited by Renée Dickason, David Haigron1st ed. 2024.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2024.1 online resource (268 pages)3-031-60667-1 Chapter 1: Introduction -- Chapter 2: Converting Blocks into Wisdom?: The 19th-Century Pictorial Press -- Chapter 3: The 20th-Century British Written Press: Landmarks, (R)evolutions, and Influences -- Chapter 4: The Rise (and Fall?) of the British Music Press in the Age of Streaming and Social Media Platforms.This book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 1 focuses on the press, the internet and cinema as mass media, from the prolific and innovative Victorian era – the matrix of the modern world – to the turn of the 21st century with the challenge of digitalisation. Newspapers, magazines, films and music are studied as vehicles for fostering shared collective identities (“imagined communities”) and for projecting a certain image of Britain at home and abroad (“soft power”). Renée Dickason is Professor of British and Commonwealth studies at the University of Rennes, France. She has been a keen observer of British media for some thirty years. She is the author and (co-)editor of numerous publications on British social and cultural history, on war memories and on war representationsin the media. David Haigron is a Senior Lecturer in British Studies at the University of Rennes, France. He is the author and (co-)editor of numerous publications on political communication, popular culture and social representations in the media.Motion picturesGreat BritainDigital mediaBritish Film and TVDigital and New MediaMotion picturesDigital media.British Film and TV.Digital and New Media.302.230941Dickason Renée1238361Haigron David1289975MiAaPQMiAaPQMiAaPQBOOK9910872199403321Issues and Singularity in the British Media Volume 14174696UNINA