01061nam0-2200349---450-99000950624040332120111223122204.0978-88-95611-07-5vol. 1978-88-95611-22-8vol. 2000950624FED01000950624(Aleph)000950624FED0100095062420111223g20072008km-y0itay50------baitagrcITa-------001yyAthenazeintroduzione al greco anticoM. Balme, G. Lawall ... [et al.]2. ed. riveduta e correttaMontellaEdizioni Accademia Vivarium Novum2007-2008v.ill.24 cm1.: XXII, 506 p. ; 2.: XVIII, 588 p.Balme,Maurice281995Lawall,Gilbert190758ITUNINARICAUNIMARCBK990009506240403321DDR-FdR RED-004 (1)11345 ddrDDRDDR-FdR RED-004 (2)11346 ddrDDRDDRAthenaze850896UNINA03851nam 22006255 450 991086527460332120240615125455.09783031544316(electronic bk.)978303154430910.1007/978-3-031-54431-6(MiAaPQ)EBC31480336(Au-PeEL)EBL31480336(CKB)32306781300041(DE-He213)978-3-031-54431-6(OCoLC)1442018815(EXLCZ)993230678130004120240614d2024 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierRituals and Music in Europe An ethnological study through data analytics /by Daniel Burgos1st ed. 2024.Cham :Springer Nature Switzerland :Imprint: Springer,2024.1 online resource (235 pages)New Approaches to the Scientific Study of Religion,2367-3508 ;13Print version: Burgos, Daniel Rituals and Music in Europe Cham : Springer,c2024 9783031544309 Chapter 1. Introduction to this book -- Chapter 2. Literature review: systematic review -- Chapter 3. Literature review: types of rituals -- Chapter 4. Literature review: the concept of ritual -- Chapter 5. Literature review: functions and means of the ritual -- Chapter 6. Literature review: the role of music in modern european rituals -- Chapter 7. Research on rituals and music -- Chapter 8. Findings and discussion -- Chapter 9. Conclusions and recommendations.This book explores modern European religious and non-religious rituals and their main features by focusing on music as a key element required for the full expression of beliefs. It specifically examines the relationship between religious, non-religious, pagan, cultural, celebratory, and traditional rituals. In doing so, this text focuses on the extent to which the rituals overlap, replace, or feed religious or pseudo-religious beliefs to create alternative beliefs (individual or collective) that systematically ignore any religion. The book further analyses the relationship between daily habits, holidays, sports, politics, culture, and other pagan rituals as forms that represent social feelings by identifying, enjoying, or impersonating emotions; and transversally, it explores how music facilitates and fosters those emotions. The volume also investigates how rituals coexist and mutually influence each other through a representation of religious and non-religious rituals, and how music plays a central role in that phenomenology. The author argues that music is a key part of various types of rituals (e.g. rites of passage), and that music supports and enriches the meaning of the ritual, to ultimately strengthen the bond of communication with the individual and the group. This monograph appeals to students and researchers working in religious studies and in music theory. .New Approaches to the Scientific Study of Religion,2367-3508 ;13Religion and sociologyMusic theoryAnthropology of religionEthnologySociology of ReligionTheory of MusicAnthropology of ReligionEthnologyReligion and sociology.Music theory.Anthropology of religion.Ethnology.Sociology of Religion.Theory of Music.Anthropology of Religion.Ethnology.306.6Burgos Daniel849289MiAaPQMiAaPQMiAaPQ9910865274603321Rituals and Music in Europe4169606UNINA