03057nam 22006972 450 991043325370332120210526083557.01-4744-4963-81-4744-2528-31-4744-2527-510.1515/9781474425278(CKB)4100000007109331(MiAaPQ)EBC5571130(StDuBDS)EDZ0001977236(UkCbUP)CR9781474425278(Au-PeEL)EBL5571130(OCoLC)1065398484(ScCtBLL)cb73891b-f99f-4e04-82f5-c420a03fe05f(DE-B1597)614825(DE-B1597)9781474425278(oapen)https://directory.doabooks.org/handle/20.500.12854/39157(OCoLC)1312726895(EXLCZ)99410000000710933120210415d2018|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierGenre, authorship and contemporary women filmmakers /Katarzyna Paszkiewicz[electronic resource]Edinburgh University Press2008Edinburgh :Edinburgh University Press,2018.1 online resource (ix, 294 pages) digital, PDF file(s)Edinburgh scholarship onlineTitle from publisher's bibliographic system (viewed on 07 May 2021).1-4744-2526-7 Includes bibliographical references and index.Introduction: impossible liaisons? genre and feminist film criticism -- Subversive auteur, subversive genre -- Repeat to remake: Diablo Cody and Karyn Kusama's Jennifer's Body -- Hollywood transvestite: Kathryn Bigelow's The Hurt Locker -- Genre in the margins: Kelly Reichardt's Meek's Cutoff -- Genre on the surface: Sofia Coppola's Marie Antoinette -- What a woman wants?: Nancy Meyers's The Intern -- Afterword: desperately seeking wonder women.Examining the significance of women's work in popular film genres, Genre, Authorship and Contemporary Women Filmmakers sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola and Kelly Reichard.Edinburgh scholarship online.Women motion picture producers and directorsUnited StatesMotion picturesUnited StatesFilm genresMotion picture authorshipMotion picturesHistoryPerforming ArtsFilmDirection & ProductionWomen motion picture producers and directorsMotion picturesFilm genres.Motion picture authorship.Motion picturesHistory.791.4302/33082Paszkiewicz Katarzyna995093UkCbUPUkCbUPBOOK9910433253703321Genre, authorship and contemporary women filmmakers2279412UNINA04827nam 2200829Ia 450 991084698550332120251116152819.09783839469552383946955410.1515/9783839469552(CKB)30977594500041(DE-B1597)666376(DE-B1597)9783839469552(MiAaPQ)EBC31281514(Au-PeEL)EBL31281514(Perlego)4237105(EXLCZ)993097759450004120240328h20242024 fg engur|||||||||||txtrdacontentcrdamediacrrdacarrierLadies in Arms Women, Guns, and Feminisms in Contemporary Popular Culture /ed. by Teresa Hiergeist, Stefanie SchäferFirst edition.Bielefeld :transcript Verlag,[2024]©20241 online resource (322 pages)Gender Studies.9783837669558 3837669556 Frontmatter --Contents --Ladies in Arms. An Introduction --Section I: History Reloaded? Reinventing Military and Paramilitary Shooters --The Difference between a Shooting and an Armed Woman --Re-Arming an American Heroine --Armed Resistance and Femininity --The Limits of Empowerment --Section II: Violent Societies: Civic Gun Cultures, Gender, and Politics --›Don't Retreat, Reload‹ --Revenge is »Beautiful« --»My Palm and My Trigger Finger Itch, Bitch« --Section III: Firearm Fictions: Media, Genre, and the Making of the Armed Heroine --»On Thursdays We Shoot« --Cowgirling in Thuringia --Violence and the Good Women of Bollywood --Ladies and Arms --Not Citizen-Soldiers but Vigilantes --Section IV: Shooting to Kill (Patriarchy): Feminist Gunwomen --What is a Painter without a Gun? --Unpopular Feminism --Armed Women as Fascinosum Tremendum --Warrior of the Light --AuthorsIn contemporary popular culture, armed women take center stage - but how can they be read from a feminist perspective? How do films, comics, and TV series depict the newly fashionable gunwomen between objectification and feminist empowerment? The contributions to this volume ask this question from different vantage points in cultural and literary studies, film and visual culture studies, history, and art history. They examine military and civic gun cultures, the rediscovery of historical armed women and revolutionaries, cultural phenomena such as gangsta rap, narcocultura and US politics, Bollywood and French cinema, and distinct genres such as the graphic novel, the romance novel, or the German police procedural Tatort.SOCIAL SCIENCE / Gender StudiesbisacshAmerican Studies.Culture.Film.Gender Studies.Gender.Gun Culture.Heroines.Literary Studies.Literature.Memoir.Popular Culture.Visual Art.SOCIAL SCIENCE / Gender Studies.302.23082Ajgaonkar Hridayactbhttps://id.loc.gov/vocabulary/relators/ctbDickel Simonctbhttps://id.loc.gov/vocabulary/relators/ctbEllerbrock Dagmarctbhttps://id.loc.gov/vocabulary/relators/ctbFeldman Andreactbhttps://id.loc.gov/vocabulary/relators/ctbGermanaz Axellectbhttps://id.loc.gov/vocabulary/relators/ctbGerund Katharinactbhttps://id.loc.gov/vocabulary/relators/ctbHiergeist Teresactbhttps://id.loc.gov/vocabulary/relators/ctbHiergeist Teresaedthttp://id.loc.gov/vocabulary/relators/edtHoltz Martinctbhttps://id.loc.gov/vocabulary/relators/ctbKluger Johannactbhttps://id.loc.gov/vocabulary/relators/ctbKolesnyk Gannactbhttps://id.loc.gov/vocabulary/relators/ctbMayer Stefaniectbhttps://id.loc.gov/vocabulary/relators/ctbSchäfer Stefaniectbhttps://id.loc.gov/vocabulary/relators/ctbSchäfer Stefanieedthttp://id.loc.gov/vocabulary/relators/edtSeauve Lenactbhttps://id.loc.gov/vocabulary/relators/ctbSpychala Mareikectbhttps://id.loc.gov/vocabulary/relators/ctbTürschmann Jörgctbhttps://id.loc.gov/vocabulary/relators/ctbVrdoljak Hanactbhttps://id.loc.gov/vocabulary/relators/ctbDE-B1597DE-B1597BOOK9910846985503321Ladies in Arms4148324UNINA