02186oam 2200433I 450 991084506670332120190117023152.00-429-99772-80-429-50471-30-429-99773-6(CKB)4100000007164491(MiAaPQ)EBC5602062(OCoLC)1076271023(OCoLC-P)1076271023(FlBoTFG)9780429504716(EXLCZ)99410000000716449120181126d2019 uy 0engurcnu---unuuutxtrdacontentcrdamediacrrdacarrierDeath and (re) birth of J. S. Bach reconsidering musical authorship and the work-concept /Roberto Alonso TrilloAbingdon, Oxon ;New York, NY :Routledge,2019.1 online resource (159 pages)"Routledge focus".1-138-58626-9 Includes bibliographical references and index.While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the Bach project, a collection of new music based on Johann Sebastian Bach's Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.AuthorshipPhilosophyAuthorshipPhilosophy.780.92Trillo Roberto Alonso1983-1734476OCoLC-POCoLC-PBOOK9910845066703321Death and (re) birth of J. S. Bach4151572UNINA