03954nam 2200745 450 991077894540332120230129050747.01-4426-9492-010.3138/9781442694927(CKB)2550000000087023(OCoLC)776812423(CaPaEBR)ebrary10512744(SSID)ssj0000599839(PQKBManifestationID)11361282(PQKBTitleCode)TC0000599839(PQKBWorkID)10598708(PQKB)10025131(CEL)438847(CaBNVSL)slc00228140(DE-B1597)479413(OCoLC)1004882871(DE-B1597)9781442694927(Au-PeEL)EBL4672815(CaPaEBR)ebr11258468(OCoLC)958516630(MiAaPQ)EBC4672815(MiAaPQ)EBC3277419(MdBmJHUP)musev2_105704(EXLCZ)99255000000008702320160914h20112011 uy 0engurcn||||||a||txtccrReading, desire, and the Eucharist in early modern religious poetry /Ryan NetzleyToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2011.©20111 online resource (296 p.) 1-4426-4281-5 Includes bibliographical references and index.Take and Taste, Take and Read: Desiring, Reading, and Taking Presence in George Herbert's The Temple -- Reading Indistinction: Desire, Indistinguishability, and Metonymic Reading in Richard Crashaw's Religious Lyrics -- Loving Fear: Affirmative Anxiety in John Donne's Divine Poems -- Desiring What Has Already Happened: Reading Prolepsis and Immanence in John Milton's Early Poems and Paradise Regained.Reading, Desire, and the Eucharist analyzes the work of prominent early modern writers - including John Milton, Richard Crashaw, John Donne, and George Herbert - whose religious poetry presented parallels between sacramental desire and the act of understanding written texts. Netzley finds that by directing devotees to crave spiritual rather than worldly goods, these poets questioned ideas not only of what people should desire, but also how they should engage in the act of yearning. Challenging fundamental assumptions of literary criticism, Reading, Desire, and the Eucharist shows how poetry can encourage love for its own sake, rather than in the hopes of salvation."--Pub. desc."The courtly love tradition had a great influence on the themes of religious poetry - just as an absent beloved could be longed for passionately, so too could a distant God be the subject of desire. But when authors began to perceive God as immanently available, did the nature and interpretation of devotional verse change? Ryan Netzley argues that early modern religious lyrics presented both desire and reading as free, loving activities, rather than as endless struggles or dramatic quests.Christian poetry, EnglishEarly modern, 1500-1700History and criticismChristianity and literatureEnglandHistory17th centuryLord's Supper in literatureGod in literatureEnglandfastHistory.Criticism, interpretation, etc.Electronic books. Christian poetry, EnglishHistory and criticism.Christianity and literatureHistoryLord's Supper in literature.God in literature.821/.409382Netzley Ryan1972-1574632MiAaPQMiAaPQMiAaPQBOOK9910778945403321Reading, desire, and the Eucharist in early modern religious poetry3851014UNINA04187oam 22006613 450 991083831880332120240222165836.00-8135-7286-X0-8135-7124-310.36019/9780813571249(MiAaPQ)EBC6893888(Au-PeEL)EBL6893888(CKB)21325720400041(DE-B1597)637835(DE-B1597)9780813571249(OCoLC)1302011985(MdBmJHUP)musev2_102457(MiAaPQ)EBC30727768(Au-PeEL)EBL30727768(EXLCZ)992132572040004120220302d2022 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierBuyers beware insurgency and consumption in Caribbean popular culture /Patricia Joan Saunders1st ed.New Brunswick :Rutgers University Press,2022.©2022.1 online resource (vii, 225 pages) color illustrationsCritical Caribbean StudiesDescription based upon print version of record.Print version: Saunders, Patricia Joan Buyers Beware New Brunswick : Rutgers University Press,c2022 9780813571232 5. "Outta Order" or "Outta Door?": Caribbean Women Performing Power, Politics, and Sexuality -- 6. Gardening in the Garrisons: (Un)Visibility in Contemporary Caribbean Art -- Conclusion: "Puuulll Uuuuuuup" -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author -- Series TitlesCover -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Introduction: Between the Devil and the Deep Blue Sea-Situating Caribbean Pop Culture Globally -- 1. Is Not Everything Good to Eat, Good to Talk: Sexual Economy and Dancehall Music in the Global Marketplace -- 2. Buyers Beware, Hoodwinking on the Rise: Epistemologies of Consumption in "Sistah Lit" -- 3. "Who's on Top?": Power, Pleasure, and the Politics of Taste -- 4. "Fashion ova Style": The Art of Self-Fashioning in Jamaican Pop CultureBuyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their “pulp” preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean.Critical Caribbean StudiesConsumersCaribbean AreaConsumption (Economics)Social aspectsCaribbean AreaPopular cultureCaribbean AreaSOCIAL SCIENCE / GeneralbisacshCaribbean AreafastCaribbean AreaCivilizationcritical inquiry, shopping, buyer, consumption, Caribbean studies, Caribbean, Caribbean popular culture, pop culture, sistah lit, middle-class, pulp, contemporary fashion, music, sex, fast food, television, race, gender, class, sexuality, national politics, perform, Global Marketplace, Epistemology, Self-Fashioning, Jamaican Pop Culture, Caribbean Women, Contemporary Caribbean Art, Cultural Insurgency.ConsumersConsumption (Economics)Social aspectsPopular cultureSOCIAL SCIENCE / General.339.4/7Saunders Patricia Joan1729361MiAaPQMiAaPQMiAaPQBOOK9910838318803321Buyers beware4139128UNINA