03666nam 22005535 450 991083825180332120200424112023.010.7208/9780226201351(CKB)3710000000383058(EBL)2006449(SSID)ssj0001458267(PQKBManifestationID)12549582(PQKBTitleCode)TC0001458267(PQKBWorkID)11444224(PQKB)11328657(StDuBDS)EDZ0000961367(MiAaPQ)EBC2006449(DE-B1597)524788(OCoLC)906026178(DE-B1597)9780226201351(EXLCZ)99371000000038305820200424h20152015 fg engur|n|---|||||txtccrClosed Circuits Screening Narrative Surveillance /Garrett StewartChicago : University of Chicago Press, [2015]©20151 online resource (304 p.)Includes index.Print version: Stewart, Garrett. Closed circuits : screening narrative surveillance. Chicago, [Illinois] ; London, [England] : University of Chicago Press, c2015 xxi, 281 pages 9780226201214 2014016861 Includes bibliographical references and index.Frontmatter -- CONTENTS -- PREFACE: RETURNS OF THEORY -- INTRODUCTION: NARRATIVE SPYCAMS-A FORESHORTENED VIEW -- 1. THE PRYING "I" OF MONTAGE -- 2. TELESCREEN PROSE -- 3. FEEDBACK LOOPS OF THE TECHNOPTICON -- 4. IN PLANE SIGHT -- 5. THE OTHERING OF LIVES -- 6. DIGITAL RECONNAISSANCE AND WIRED WAR -- 7. RETROSPECULAR EYES -- 8. PARALLEL WORLD EDITING -- POSTFACE: ON MEDIATION AS INTERFACE -- NOTES -- INDEXThe recent uproar over NSA dataveillance can obscure the fact that surveillance has been part of our lives for decades. And cinema has long been aware of its power-and potential for abuse. In Closed Circuits, Garrett Stewart analyzes a broad spectrum of films, from M and Rear Window through The Conversation to Déjà Vu, Source Code, and The Bourne Legacy, in which cinema has articulated-and performed-the drama of inspection's unreturned look. While mainstays of the thriller, both the act and the technology of surveillance, Stewart argues, speak to something more foundational in the very work of cinema. The shared axis of montage and espionage-with editing designed to draw us in and make us forget the omnipresence of the narrative camera-extends to larger questions about the politics of an oversight regime that is increasingly remote and robotic. To such a global technopticon, one telltale response is a proliferating mode of digitally enhanced "surveillancinema."Electronic surveillance in motion picturesMotion picturesUnited StatesHistory and criticismscreening, surveillance, nsa, data, dataveillance, history, historical, privacy, controversy, controversial, contemporary, modern, abuse, cinema, film, analysis, critique, critical, rear window, hitchcock, filmmaker, director, story, the conversation, deja vu, source code, bourne legacy, performance, satire, social, culture, cultural, thriller, technology, genre, espionage, montage.Electronic surveillance in motion pictures.Motion picturesHistory and criticism.791.430973Stewart Garrett, authttp://id.loc.gov/vocabulary/relators/aut552239DE-B1597DE-B1597BOOK9910838251803321Closed Circuits4144480UNINA