02580nam 2200529Ia 450 99639396540331620200824121718.0(CKB)4940000000115309(EEBO)2240875790(UnM)99898316e(UnM)99898316(EXLCZ)99494000000011530919940216d1580 uy |laturbn||||a|bb|The aucthoritie of al iustices of peace[electronic resource] with diuers warrants, presentments, and indictments thereunto annexed. Whereunto is added a verie perfect fourme for kepinge of court leetes, and court barons, newly set foorth by Iohn Kitchin of Graies Inne an apprentice of the lawe, with many booke cases concerninge the same. Also the booke called Noue additiones. The booke for keepinge of court hundredes. And the booke called Returna breuium. With seuerall tables for the ready findinge of any thinge contained in the same[Imprinted at London in Fleetestrete, within Temple barre, at ye signe of the Hand [and] Starreby Richard Tottellthe 10. day of April] Anno Domini 158081, [7]; 216, 225-250, [6] leavesThe first work is "The boke of justices of peas", sometimes wrongly attributed to Sir Anthony Fitzherbert.Mostly in Latin, partly in Law French and English.Printer's name and address and month date of publication from colophon."Le court leete, et court baron, collect per Iohn Kytchin" has separate divisional title and foliation; the text begins with quire ² B.Includes indexes.A variant of the edition with colophon dated 16 February.Reproduction of original in the Folger Shakespeare Library.eebo-0055Courts baron and courts leetEarly works to 1800WritsEnglandEarly works to 1800Justices of the peaceEnglandEarly works to 1800CourtsEnglandEarly works to 1800Courts baron and courts leetWritsJustices of the peaceCourtsKitchin John1004390Modus tenendi unum hundredum sive curiam de recordoautEngland and Wales.Cu-RivESCu-RivESUk-ESCStRLINCu-RivESWaOLNBOOK996393965403316The aucthoritie of al iustices of peace2369358UNISA03724 am 2200685 n 450 991049568140332120201123979-1-03-510464-110.4000/books.psorbonne.67169(CKB)4100000011904810(FrMaCLE)OB-psorbonne-67169(oapen)https://directory.doabooks.org/handle/20.500.12854/85781(PPN)267970560(EXLCZ)99410000001190481020210426j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierValence Port méditerranéen au xve siècle (1410-1525) /Jacqueline Guiral-HadziiossifParis Éditions de la Sorbonne20201 online resource (556 p.) Histoire moderne2-85944-125-5 À la fin du Moyen Âge, Valence est devenue un des premiers ports de la Méditerranée. Ce livre retrace les étapes de cette ascension du début du xve siècle, jusqu’à la crise finale de la société médiévale Valencienne. Les navires, les équipages, le monde interlope du port sont minutieusement reconstitués, à côté des parties plus techniques concernant l’organisation et les modalités du trafic maritime. Ce milieu des gens de mer est replacé dans le contexte plus large d’une société médiévale. Les activités maritimes ne sont que l’aboutissement d’une production terrestre, réalisée à Valence même et outre-mer, en Italie et au Maghreb. Le monde paysan, la société fragmentée des artisans, les milieux des négociants et des spéculateurs, le clergé et les nobles sont ressuscités dans la troisième partie, grâce à un dépouillement approfondi des archives d’État et des collections notariales de Valence, de Madrid, de Lisbonne et de Rome. On assiste ici à l’évolution des mentalités et des idéologies des divers états de la société, au fur et à mesure que les conditions de la vie matérielle se modifient. Le jeu des interactions devient encore plus complexe du fait de l’existence de minorités importantes. Les musulmans constituent le lien avec le passé arabe, les juifs et les « corners » sont partout présents, alors que les Allemands, les Italiens complètent ce tableau cosmopolite, auquel ne manquent pas les Français, les Bretons, les Flamands, les Anglais, ni les Grecs et les autres Levantins. Portrait d’une cité avec ses réussites et ses échecs, ce livre est aussi l’étude du fonctionnement d’une société médiévale dans un milieu marchand.HistoryMedieval & Renaissance Studieshistoire navalemarinMoyen Âgeactivité maritimesociété médiévalecosmopolitismemilieu marchandValencia (Spain)Historyhistoire navalemarinMoyen Âgeactivité maritimesociété médiévalecosmopolitismemilieu marchandHistoryMedieval & Renaissance Studieshistoire navalemarinMoyen Âgeactivité maritimesociété médiévalecosmopolitismemilieu marchand946/.76302Guiral-Hadziiossif Jacqueline1230786Mollat du Jourdin Michel1287531FR-FrMaCLEBOOK9910495681403321Valence3031871UNINA04737nam 22007815 450 991083824790332120230125213902.01-5036-3125-7978150363125010.1515/9781503631250(CKB)4900000001022339(DE-B1597)624336(DE-B1597)9781503631250EBL7012582(AU-PeEL)EBL7012582(MiAaPQ)EBC7012582(OCoLC)1312726744(EXLCZ)99490000000102233920220426h20222022 fg 0engur||#||||||||txtrdacontentcrdamediacrrdacarrierBlack Culture, Inc. How ethnic community support pays for corporate America /Patricia A. BanksStanford, CA :Stanford University Press,[2022]©20221 online resource (240 pages)Culture and Economic LifeDescription based upon print version of record.Diversity capital -- The racial return -- Racism rehab -- Cultivating customers -- The party of the year -- Gospel and the Golden Arches -- #AfropunkWeSeeYou -- Branding diversity."A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Culture, Inc., Patricia A. Banks interrogates the notion that such giving is completely altruistic, and argues for a deeper understanding of the hidden transactions being conducted that render corporate America dependent on Black culture. Drawing on a range of sources, such as public relations and advertising texts on corporate cultural patronage and observations at sponsored cultural events, Banks argues that Black cultural patronage profits firms by signaling that they value diversity, equity, and inclusion. By functioning in this manner, support of Black cultural initiatives affords these companies something called "diversity capital," an increasingly valuable commodity in today's business landscape. While this does not necessarily detract from the social good that cultural patronage does, it reveals its secret cost: ethnic community support may serve to obscure an otherwise poor track record with social justice. Banks deftly weaves innovative theory with detailed observations and a discerning critical gaze at the various agendas infiltrating memorials, museums, and music festivals meant to celebrate Black culture. At a time when accusations of discriminatory practices are met with immediate legal and social condemnation, the insights offered here are urgent and necessary"--Provided by publisher.Culture and Economic Life Series.ProQuest Ebook Central.African American artsFinanceArt patronageUnited StatesCorporate sponsorshipUnited StatesCorporationsPublic relationsUnited StatesEthnic artsUnited StatesFinanceSocial responsibility of businessUnited StatesSOCIAL SCIENCE / Ethnic Studies / African American Studiesbisacshebook.localAfrican Americans.advertising.art patronage.consumers.corporate sponsorship.culture.diversity.marketing.philanthropy.race and ethnicity.African American artsFinance.Art patronageCorporate sponsorshipCorporationsPublic relationsEthnic artsFinance.Social responsibility of businessSOCIAL SCIENCE / Ethnic Studies / African American Studies.700.89/96073MS 1235SEPArvkBanks Patricia A.authttp://id.loc.gov/vocabulary/relators/aut1731555DE-B1597DE-B1597BOOK9910838247903321Black Culture, Inc4144464UNINA