01155nam a2200289 i 4500991003995949707536030205s2001 gw a 000 0 eng d3527402977b11894532-39ule_inst539.74LC QC793.353.3.453.4.2Thomas, Anthony William532654The structure of the nucleon /Anthony W. Thomas, Wolfram WeiseBerlin ;New York :Wiley-VCH ,c2001xiv, 289 p. :ill. ;25 cm.Includes bibliographical references (p. [275]-284) and index.Nuclear structureWeise, Wolframauthorhttp://id.loc.gov/vocabulary/relators/aut52158.b1189453201-07-1105-02-03991003995949707536LE006 53.3.4 THO12006000087711le006-E71.66-l- 00000.i1215424605-02-03LE006 53.3.4 THO12006000161732le006pE69.98-l- 01010.i1470499731-03-08Structure of the nucleon1454813UNISALENTOle00605-02-03ma -enggw 4102833 am 2200673 n 450 9910214918903321201704042-35412-251-910.4000/books.pupvd.2792(CKB)3710000001633577(FrMaCLE)OB-pupvd-2792(oapen)https://directory.doabooks.org/handle/20.500.12854/48003(PPN)201681048(EXLCZ)99371000000163357720170614j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierLe français en contextes Approches didactiques, linguistiques et acquisitionnelles /Henry TynePerpignan Presses universitaires de Perpignan2017Organisés en trois sections (FLE et enseignement ; études linguistiques ; maîtrise et acquisition de la langue), les neuf articles qui forment ce volume ont en commun de se soucier de ce que la langue, lorsqu’elle est considérée à partir d’approches ou de données mettant en avant l’importance du contexte (défini de façons différentes), est loin d’être un objet dont les contours sont clairement identifiés : entre différentes considérations théoriques ou analytiques, face à la réalité du terrain, on voit ainsi se dégager un champ offrant de multiples approches et réflexions. Ce volume, à travers les articles qui le composent, constitue une contribution riche et variée sur la question de l’enseignement-apprentissage du français en contexte(s).français en contextesLanguage & Linguistics (General)didactiqueFLElanguecontexteslangue françaiselanguedidactiquelangue françaisecontextesFLELanguage & Linguistics (General)didactiqueFLElanguecontexteslangue françaiseBerchoud Marie1365772Carette Emmanuelle1314672Carton Francis1314673Colle-Quesada Marie-Mandarine1314674Gaatone David1314675Mangiante Jean-Marc769889Piron Sophie1313844Spanghero-Gaillard Nathalie1314676Sugiyama Kaori1314677Talbi-Boulhais Rania1314678Tyne Henry1240478Vialettes-Basmoreau Lucie1314679Tyne Henry1240478FR-FrMaCLEBOOK9910214918903321Le français en contextes3387952UNINA04149nam 22008053 450 991083822470332120230217213711.01-4875-3973-81-4875-3974-610.3138/9781487539733(CKB)4100000011994365(MiAaPQ)EBC6688363(Au-PeEL)EBL6688363(OCoLC)1252207060(DE-B1597)583310(DE-B1597)9781487539733(MdBmJHUP)musev2_109005(EXLCZ)99410000001199436520210901d2021 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierFashioning Spanish cinema costume, identity, and stardom /Jorge PérezToronto :University of Toronto Press,2021.©20211 online resource (281 pages)Toronto Iberic ;611-4875-0911-1 Includes filmography (pages 225-233), bibliographical references (pages 235-257) and index.Introduction: Fashion, Costume, and Spanish Cinema -- Fashioning National Stars: Balenciaga and Spanish Cinema -- Almodóvar and Chanel: High Fashion, Desire, and Identity -- Men in Underwear in Spanish Cinema -- Dressing the Immigrant Other -- Self-Fashioning Stardom: The Red-Carpet Matters -- Conclusion: Fashioning Identity and Stardom."Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies. Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion."--Provided by publisher.Toronto Iberic ;61.Costume designSpainFashion designSpainMotion picturesSpainHistoryPERFORMING ARTS / Film & Video / History & CriticismbisacshSpainfastHistory.Almodóvar.Balenciaga.Goya Awards.Oscars.Penélope Cruz.Spain.Spanish cinema.celebrity.costume design.fashion and film.fashion.gender.history of fashion.identity.immigration.red carpet.stardom.Costume designFashion designMotion picturesHistory.PERFORMING ARTS / Film & Video / History & Criticism.791.4302/60946Pérez Jorge1976-1730051MiAaPQMiAaPQMiAaPQBOOK9910838224703321Fashioning Spanish cinema4140437UNINA