00973nam0 22002651i 450 UON0033679220231205104242.62120091008d1991 |0itac50 baporPT|||| 1||||ˆA ‰casa eternaHélia CorreiaLisboaPublicaçoes Dom Quixote ; Círculo de Leitores1991242 p.22 cm.PTLisboaUONL003135869.3Letteratura narrativa portoghese21CORREIAHéliaUONV177743603389Círculo de LeitoresUONV274377650Dom QuixoteUONV264466650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00336792SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Port III 0731 SI LO 49656 5 0731 Casa eterna1364067UNIOR04149nam 22008053 450 991083822470332120230217213711.01-4875-3973-81-4875-3974-610.3138/9781487539733(CKB)4100000011994365(MiAaPQ)EBC6688363(Au-PeEL)EBL6688363(OCoLC)1252207060(DE-B1597)583310(DE-B1597)9781487539733(MdBmJHUP)musev2_109005(EXLCZ)99410000001199436520210901d2021 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierFashioning Spanish cinema costume, identity, and stardom /Jorge PérezToronto :University of Toronto Press,2021.©20211 online resource (281 pages)Toronto Iberic ;611-4875-0911-1 Includes filmography (pages 225-233), bibliographical references (pages 235-257) and index.Introduction: Fashion, Costume, and Spanish Cinema -- Fashioning National Stars: Balenciaga and Spanish Cinema -- Almodóvar and Chanel: High Fashion, Desire, and Identity -- Men in Underwear in Spanish Cinema -- Dressing the Immigrant Other -- Self-Fashioning Stardom: The Red-Carpet Matters -- Conclusion: Fashioning Identity and Stardom."Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies. Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion."--Provided by publisher.Toronto Iberic ;61.Costume designSpainFashion designSpainMotion picturesSpainHistoryPERFORMING ARTS / Film & Video / History & CriticismbisacshSpainfastHistory.Almodóvar.Balenciaga.Goya Awards.Oscars.Penélope Cruz.Spain.Spanish cinema.celebrity.costume design.fashion and film.fashion.gender.history of fashion.identity.immigration.red carpet.stardom.Costume designFashion designMotion picturesHistory.PERFORMING ARTS / Film & Video / History & Criticism.791.4302/60946Pérez Jorge1976-1730051MiAaPQMiAaPQMiAaPQBOOK9910838224703321Fashioning Spanish cinema4140437UNINA