01373nam2-2200433---450-99000178280020331620050524122641.0000178280USA01000178280(ALEPH)000178280USA0100017828020040623d1964----km-y0itay0103----bagerDE||||||||001yy<<14.>> : [Juli 1857-November 1860]Karl Marx, Friedrich EngelsBerlinDietz1964XXVIII, 894 p.22 cmIn testa al front.: Institut fur Marxismus-Leninismus beim ZK der SED200120010010001778822001WerkeMarx,KarlOpereEngels,FriedrichOpereMARX,Karl<1818-1883>32587ENGELS,Friedrich36926Institut fur Marxismus-Leninismus <Berlino>ITsalbcISBD990001782800203316II.1.D. 599/14(IV A 347/14)24559 L.M.IV ABKUMASIAV41020040623USA010926SIAV41020040623USA011106COPAT39020050524USA011226ANNAMARIA9020160216USA011215ANNAMARIA9020160216USA011215Juli 1857-November 1860952645UNISA04221nam 22006615 450 991083183580332120240912152000.09783839456576383945657610.1515/9783839456576(CKB)5670000000201173(DE-B1597)618263(DE-B1597)9783839456576(OCoLC)1294425622(MiAaPQ)EBC6956298(ScCtBLL)eae01080-3725-435d-a59b-9413c64a74cc(EXLCZ)99567000000020117320220131h20222021 fg engur||#||||||||txtrdacontentcrdamediacrrdacarrierMusic and Democracy Participatory Approaches /ed. by Marko Kölbl, Fritz Trümpi1 ed.Wien :mdwPress,[2022]©20211 online resource (270 p.)Frontmatter --Contents --Ambivalences in Music and Democracy: Introductory Remarks --Part 1: From Recorded Democracy to Digital Participation? --Entrepreneurial Tapists --New Model, Same Old Stories? --Part 2: Political Impacts of Bourgeois Music Culture --The National Society of Music (1915-1922) and the Ambivalent Democratization of Music in Spain --Verdi at the Heart of the Dictatorship --Part 3: (Non‐)Democratic Participation in Popular Music and Performance Cultures --The Intervision Song Contest --"Vodka, Beer, Papirosy" --Disembodiment and South Asian Performance Cultures --Part 4: Sonic Implications of Political Changes --Music Activism in Serbia at the Turn of the Millennium --Expanding Musical Inclusivity --About mdwPressMusic and Democracy explores music as a resource for societal transformation processes. This book provides recent insights into how individuals and groups used and still use music to achieve social, cultural, and political participation and bring about social change. The contributors present outstanding perspectives on the topic: From the promise and myth of democratization through music technology to the use of music in imposing authoritarian, neoliberal or even fascist political ideas in the past and present up to music's impact on political systems, governmental representation, and socio-political realities. The volume further features approaches in the fields of gender, migration, disability, and digitalization.MusicMUSIC / History & CriticismbisacshMusic.MUSIC / History & Criticism.306.4842LR 57720rvkBest Katelyn Ectbhttps://id.loc.gov/vocabulary/relators/ctbDaniel Ondřejctbhttps://id.loc.gov/vocabulary/relators/ctbDragićević Šešić Milenactbhttps://id.loc.gov/vocabulary/relators/ctbFerreiro Carballo Davidctbhttps://id.loc.gov/vocabulary/relators/ctbKölbl Markoctbhttps://id.loc.gov/vocabulary/relators/ctbKölbl Markoedthttp://id.loc.gov/vocabulary/relators/edtMatejić Julijactbhttps://id.loc.gov/vocabulary/relators/ctbMorgan Benjamin A.ctbhttps://id.loc.gov/vocabulary/relators/ctbNowak Raphaëlctbhttps://id.loc.gov/vocabulary/relators/ctbPrud'homme Gabriellectbhttps://id.loc.gov/vocabulary/relators/ctbPutcha Rumya S.ctbhttps://id.loc.gov/vocabulary/relators/ctbSiefert Marshactbhttps://id.loc.gov/vocabulary/relators/ctbTrümpi Fritzctbhttps://id.loc.gov/vocabulary/relators/ctbTrümpi Fritzedthttp://id.loc.gov/vocabulary/relators/edtVuletic Deanctbhttps://id.loc.gov/vocabulary/relators/ctbmdw - Universität für Musik und darstellende Kunst Wien, Land Niederösterreich, Abteilung für Wissenschaft und Forschungfndhttp://id.loc.gov/vocabulary/relators/fndDE-B1597DE-B1597BOOK9910831835803321Music and Democracy2596138UNINA