00924nam a22002531i 450099100167195970753620031201194704.0040407s1975 uik|||||||||||||||||eng b12806079-39ule_instARCHE-078570ExLDip.to Scienze StoricheitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.330.153Essays on Adam Smith /edited by Andrew S. Skinner and Thomas WilsonOxford :Clarendon Press,1975XVI, 647 p. ;25 cmSmith, AdamSkinner, Andrew S.Wilson, Thomas.b1280607902-04-1416-04-04991001671959707536LE009 STOR.88.1-84f12009000383722le009-E0.00-l- 02020.i1335380916-04-04Essays on Adam Smith298327UNISALENTOle00916-04-04ma -enguik0103495nam 2200745 450 991083116750332120230606143451.080-470-7742-20-470-77424-X1-281-31125-197866113112540-470-77735-4(CKB)1000000000404607(EBL)350918(OCoLC)476169641(SSID)ssj0000099977(PQKBManifestationID)11108475(PQKBTitleCode)TC0000099977(PQKBWorkID)10015798(PQKB)11621945(MiAaPQ)EBC350918(MiAaPQ)EBC7076256(Au-PeEL)EBL7076256(PPN)261555146(EXLCZ)99100000000040460720230109d2005 uy 0engur|n|---|||||txtccrAfter criticism new responses to art and performance /edited by Gavin ButtMalden, Massachusetts :Blackwell Pub.,[2005]©20051 online resource (234 p.)New interventions in art history ;4Description based upon print version of record.0-631-23284-2 0-631-23283-4 Includes bibliographical references (pages [207]-211) and index.Contents; List of Illustrations; Notes on Contributors; Series Editor 's Preface; Introduction:The Paradoxes of Criticism; Part I Performing Art 's Histories; 1 Solo Solo Solo; 2 Binding to Another 's Wound:Of Weddings and Witness; 3 This is I; Part II Distracted and Bored:The Critic Looks Elsewhere; 4 The Trouble with Men,or,Sex,Boredom,and the Work of Vaginal Davis; 5 Utopia 's Seating Chart:Ray Johnson,Jill Johnston, and Queer Intermedia as System; 6 Looking Away:Participations in Visual Culture; Part III Critical Response/Performative Process7 Itinerant Improvisations:From "My Favorite Things " to an "agency of night "8 The Experience of Art as a Living Through of Language; 9 A Transparent Lecture; Selected Bibliography; IndexIt has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importanNew interventions in art history ;4.Performance artArt criticismUnited StatesHistory20th centuryPerformance (Art)thubCrítica d'artthubHistòriathubEstats Units d'AmèricathubLlibres electrònicsthubPerformance art.Art criticismHistoryPerformance (Art)Crítica d'artHistòria701.1809049Butt GavinMiAaPQMiAaPQMiAaPQBOOK9910831167503321After criticism3069788UNINA