00970nam0-22003491i-450-99000391939040332120080213155844.00-415-25322-5000391939FED01000391939(Aleph)000391939FED0100039193920030910d2002----km-y0itay50------baengGB--------001cySport psychologythe key conceptsEllis Cashmore1. ed.LondonNew YorkRoutledge2002xiii, 304 p.21 cmRoutledge key guidesContiene bibl. (pp. 272-292) e indice analiticoSPORTAspetti psicologici796.0121itaCashmore,Ellis143672ITUNINARICAUNIMARCBK990003919390403321796.01 CAS 11164BFSBFSSport psychology515797UNINA02891nam 2200493 450 991081774520332120230119012306.09780500772577(CKB)2670000000607380(MiAaPQ)EBC5877982(MiAaPQ)EBC5078409(Au-PeEL)EBL5078409(CaONFJC)MIL760574(OCoLC)1027206170(EXLCZ)99267000000060738020190927d2015 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierOpen source architecture /Carlo Ratti ; with Matthew ClaudelLondon ;New York, New York :Thames & Hudson,[2015]©20151 online resource (144 pages)Includes bibliographical references (pages 128-139) and index.Cover -- Title Page -- About the Authors -- Other Titles of Interest -- Contents -- Authors' Note -- The Promethean Architect: A Modern(ist) Hero -- Bottom-Up Architectures: The Timeless Way of Building -- Why It Did Not Work: A Horse Designed by Committee -- Learning From the Network: New Paradigms for Participation in the Digital World -- Open Source Gets Physical: How Digital Collaboration Technologies Became Tangible -- Building Harmonies: Toward a Choral Architect -- Over To You: Go Ahead, Design! -- Notes -- Index -- Copyright.Open Source Architecture is a visionary manifesto for the architecture of tomorrow that argues for a paradigm shift from architecture as a means of supporting the ego-fueled grand visions of "starchitects" to a collaborative, inclusive, network-driven process inspired by twenty-first-century trends such as crowd-sourcing, open access, and mass customization. The question is how collaborative design can avoid becoming design-by-committee. Authors Carlo Ratti and Matthew Claudel navigate this topic nimbly in chapters such as "Why It Did Not Work" and "Learning from the Network." They also meet the essential requirement of any manifesto, considering the applications of open-source architecture not only conceptually but also in practice, in chapters such as "Open Source Gets Physical" and "Building Harmonies." Open Source Architecture is an important new work on the frontlines of architectural thought and practice.Architecture, Modern21st centuryPhilosophyCrowd fundingBusiness networksArchitecture, ModernPhilosophy.Crowd funding.Business networks.724.7Ratti Carlo302655Claudel MatthewMiAaPQMiAaPQMiAaPQBOOK9910817745203321Open source architecture3915267UNINA02578nam 2200397 450 991082989760332120191106124901.01-4529-5944-7(CKB)4100000009583408(MiAaPQ)EBC5928247(EXLCZ)99410000000958340820191106d2019 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAesthesis and perceptronium on the entanglement of sensation, cognition, and matter /Alexander WilsonMinneapolis, Minnesota ;London :University of Minnesota Press,[2019]©20191 online resource (257 pages)Posthumanities ;511-5179-0660-1 A new speculative ontology of aesthetics. In Aesthesis and Perceptronium, Alexander Wilson presents a theory of materialist and posthumanist aesthetics founded on an original speculative ontology that addresses the interconnections of experience, cognition, organism, and matter. Entering the active fields of contemporary thought known as the new materialisms and realisms, Wilson argues for a rigorous redefining of the criteria that allow us to discriminate between those materials and objects where aesthesis (perception, cognition) takes place and those where it doesn't. Aesthesis and Perceptronium negotiates between indiscriminately pluralist views that attribute mentation to all things and eliminative views that deny the existence of mentation even in humans. By recasting aesthetic questions within the framework of "epistemaesthetics," which considers cognition and aesthetics as belonging to a single category that can neither be fully disentangled nor fully reduced to either of its terms, Wilson forges a theory of nonhuman experience that avoids this untenable dilemma. Through a novel consideration of the evolutionary origins of cognition and its extension in technological developments, the investigation culminates in a rigorous reevaluation of the status of matter, information, computation, causality, and time in terms of their logical and causal engagement with the activities of human and nonhuman agents.Posthumanities ;51.MaterialismMaterialism.146.3Wilson Alexander553049MiAaPQMiAaPQMiAaPQBOOK9910829897603321Aesthesis and perceptronium4094872UNINA