02317nam 2200577Ia 450 991082909010332120200520144314.01-283-43655-81-4438-3547-19786613436559(CKB)3360000000433186(EBL)1133144(OCoLC)830167755(SSID)ssj0000668205(PQKBManifestationID)11452658(PQKBTitleCode)TC0000668205(PQKBWorkID)10699416(PQKB)11212634(MiAaPQ)EBC1133144(Au-PeEL)EBL1133144(CaPaEBR)ebr10676968(CaONFJC)MIL343655(OCoLC)774639675(FINmELB)ELB145824(EXLCZ)99336000000043318620120420d2012 uy 0engur|n|---|||||txtccrLast tape on stage in translation unwinding Beckett's spool in Turkey /by Burc Idem Dincel1st ed.Newcastle upon Tyne Cambridge Scholars20121 online resource (140 p.)Description based upon print version of record.1-4438-3514-5 Includes bibliographical references (p. [121]-127) and index.TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CONCLUSION; APPENDIX A; APPENDIX B; APPENDIX C; BIBLIOGRAPHY; INDEXSamuel Beckett's theatrical works maintain a prominent position within contemporary theatre. His plays provide a prodigious potential to study several forms of acting, staging, and dramaturgy, as well as language and translation, thereby setting a fertile ground to tackle the problematic issue of the relationship between theatre criticism and theatre-translation criticism. That is precisely what this study aims at by drawing attention to the fundamental characteristics of translated theatre ...DramaHistoryDramaHistory.822.912Dincel Burc Idem1604703MiAaPQMiAaPQMiAaPQBOOK9910829090103321Last tape on stage in translation3929651UNINA