02795nam 2200661 a 450 991082847150332120230802003827.01-119-95212-31-283-28310-797866132831081-119-95148-81-119-95147-X(CKB)2550000000052939(EBL)819165(OCoLC)760411083(SSID)ssj0000534117(PQKBManifestationID)12165844(PQKBTitleCode)TC0000534117(PQKBWorkID)10492342(PQKB)11630614(MiAaPQ)EBC819165(MiAaPQ)EBC4041219(Au-PeEL)EBL819165(CaPaEBR)ebr10500907(Au-PeEL)EBL4041219(CaPaEBR)ebr11114151(CaONFJC)MIL328310(OCoLC)958547005(EXLCZ)99255000000005293920110519d2012 uy 0engurcn|||||||||txtccrThe art and science of HDR imaging /John J. McCann, Alessandro Rizzi1st ed.Chichester, West Sussex, U.K. ;Hoboken, N.J. Wiley20121 online resource (417 p.)Wiley-IS&T series in imaging science and technologyDescription based upon print version of record.0-470-66622-6 Includes bibliographical references and indexes.section A. History of HDR imaging -- section B. Measured dynamic ranges -- section C. Separating glare and contrast -- section D. Scene content controls appearance -- section E. Color HDR -- section F. HDR image processing.Rendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Imaging presents a unique scientific HDR approach derived from artists' understanding of painting, emphasizing spatial information in electronic imaging. Human visual appearance and reproduction rendition of the HDR world requires spatial-image processing to overcome the veiling glare limitsWiley-IS&T series in imaging science and technology.High dynamic range imagingHigh dynamic range imaging.771/.44McCann John J.1942-1621460Rizzi Alessandro1965-66465MiAaPQMiAaPQMiAaPQBOOK9910828471503321The art and science of HDR imaging3954733UNINA