02816nam 2200553 450 991082837290332120191118111955.00-85773-626-40-7556-9445-70-85772-670-610.5040/9780755694457(CKB)4340000000018509(MiAaPQ)EBC4749910(CaBNVSL)mat55694457(OCoLC)1128156840(CaBNVSL)9780755694457(EXLCZ)99434000000001850920191118d2019 uy 0engurcnu||||||||rdacontentrdamediardacarrierUkrainian cinema belonging and identity during the Soviet thaw /Joshua FirstFirst edition.London, England :I.B. Tauris,2019.[London, England] :Bloomsbury Publishing,2019.1 online resource (264 pages) illustrations, photographsKINO, the Russian and Soviet cinema series ;131-78076-554-1 Includes bibliographical references (pages 228-235) and index.Stalinism, de-Stalinization and the Ukrainian in Soviet cinema -- Rebuilding a national studio during the early 1960s -- Sergei Paradjanov's Carpathian journey -- Paradjanov and the problem of film authorship -- 'Ukrainian poetic cinema' and the construction of 'Dovzhenko's traditions' -- Making national cinema in the era of stagnation -- 'Ukrainian poetic cinema' between the communist party and film audiences -- Conclusion: Ukrainian cinema and the limitations of national expression.Historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s.'Ukrainian Cinema' during the Soviet thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian poetic cinema during the Soviet 1960s-70s. He argues that filmmakers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference.KINO, the Russian cinema series.Motion picturesSoviet UnionHistory20th centuryMotion picturesUkraineHistory20th centuryFilms, cinemabicsscMotion picturesHistoryMotion picturesHistoryFilms, cinema791.4309477First Joshua1689300IDEBKCaBNVSLCaBNVSLBOOK9910828372903321Ukrainian cinema4064267UNINA