02691nam 2200589 450 991082814990332120200520144314.00-253-01276-72027/heb34015(CKB)3710000000237687(EBL)1782262(SSID)ssj0001332539(PQKBManifestationID)11895364(PQKBTitleCode)TC0001332539(PQKBWorkID)11376263(PQKB)10290068(MiAaPQ)EBC1782262(OCoLC)890531167(MdBmJHUP)muse41776(Au-PeEL)EBL1782262(CaPaEBR)ebr10929478(dli)HEB34015.0001.001(MiU)MIU01200000000000000000269(EXLCZ)99371000000023768720140918h20142014 uy 0engur|n|---|||||txtccrBreaking time's arrow experiment and expression in the music of Charles Ives /Matthew McDonaldBloomington, Indiana :Indiana University Press,2014.©20141 online resource (212 p.)Musical Meaning and InterpretationDescription based upon print version of record.0-253-01273-2 Includes bibliographical references and index.God/man : I come to thee and Psalm 14 -- Community/individual : Sonata no. 1 for piano and String quartet no. 2 -- Intuition/expression : "Nov. 2, 1920" and "Grantchester" -- Elements of narrative : The unanswered question -- Ives and the now : "The things our fathers loved" -- Cumulative composition : Ives's Emerson music.Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives''s compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens neMusical meaning and interpretation.Music & MusicologyMusic & Musicology.780.92McDonald Matthew(Matthew James),874718MiAaPQMiAaPQMiAaPQBOOK9910828149903321Breaking time's arrow3993147UNINA