02661nam 2200649 a 450 991082796330332120200520144314.097866104811630-19-803187-41-280-48116-11-4237-6231-20-19-513914-3(CKB)2560000000299991(EBL)3052101(OCoLC)922952612(SSID)ssj0000086168(PQKBManifestationID)11122058(PQKBTitleCode)TC0000086168(PQKBWorkID)10031017(PQKB)10670173(StDuBDS)EDZ0000074897(MiAaPQ)EBC3052101(Au-PeEL)EBL3052101(CaPaEBR)ebr10142500(CaONFJC)MIL48116(EXLCZ)99256000000029999120001004d2002 uy 0engur|||||||||||txtccrDancing the self personhood and performance in the Pandav lila of Garhwal /William S. Sax1st ed.Oxford ;New York Oxford University Press20021 online resource (237 p.)Description based upon print version of record.0-19-513915-1 0-19-987165-5 Includes bibliographical references (p. 201-220) and index.Contents; Introduction: The Performative Construction of the Self; Prologue: The Mahabhrata Story; 1. The Sutol Pandav L; 2. The Dance of the Cowherd: Pandav L; as a Regional Tradition; 3. Hunting the Rhinoceros: Pandav L; as a Man's Sport; 4. A Theater of Hegemony: Pandav L: as a Rajput Tradition; 5. Violent Women: Draupadi and Kunti in the Pandav L; 6. A Divine King in the Western Himalayas; 7. The Hall of Mirrors: Orientalism, Anthropology, and the ""Other""; Bibliography; Index;Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. He saw and took part in many performances of the pandav lila, a ritual reenactment of scenes from the Mahabharata in dance.Pandava lilaSelf-presentation in literatureFolk dramaIndiaGarhwalHistory and criticismPandava lila.Self-presentation in literature.Folk dramaHistory and criticism.398.2/0954/2Sax William Sturman1957-1667395MiAaPQMiAaPQMiAaPQBOOK9910827963303321Dancing the self4038099UNINA