04089nam 2200697 450 991082790580332120230120032207.01-315-58959-11-317-11356-X1-317-11355-11-4094-6427-X(CKB)2670000000421844(EBL)1389015(OCoLC)858763027(SSID)ssj0001002006(PQKBManifestationID)12372213(PQKBTitleCode)TC0001002006(PQKBWorkID)10968096(PQKB)10426573(Au-PeEL)EBL1389015(CaPaEBR)ebr10759673(CaONFJC)MIL548224(Au-PeEL)EBL5122061(CaONFJC)MIL924720(OCoLC)1027194593(MiAaPQ)EBC1389015(MiAaPQ)EBC5122061(EXLCZ)99267000000042184420130318h20132013 uy| 0engur|n|---|||||txtccrInterpreting historical keyboard music sources, contexts and performance /edited by Andrew Woolley, John KitchenFarnham, Surrey, England :Ashgate,[2013]©20131 online resource (328 p.)Ashgate historical keyboard seriesDescription based upon print version of record.1-4094-6426-1 Includes bibliographical references and index.Some aspects of P-Cug, MM 242 / Filipe Mesquita de Oliveira -- Making connections / David J. Smith -- William Byrd's My Ladye Nevells booke (1591) / Walter Kurt Kreyszig -- Giovanni Maria Trabaci and the new manner of inganni / Massimiliano Guido -- Places of memory and invention / Christine Jeanneret -- The Libro di Fra Gioseffo da Ravenna / Barbara Cipollone -- A discourse of styles / Terence Charlston -- Questions of keyboard temperament in the sixteenth century / John Koster -- Seventeenth-century harpsichords / Peter Mole -- In playing those bells, his amazing dexterity raised my wonder much higher / Carl van Eyndhoven -- Dynamics and orchestral effects in late eighteenth-century Portuguese organ music / João Vaz -- Czerny and the organ / Iain Quinn -- Some reflections on François Couperin's 'new and diversified character' / Jane Clark -- Music for connoisseurs and amateurs / Susan Wollenberg -- João Cordeiro da Silva (1735-1808?) / Mário Marques Trilha -- Grand and grander / Tilman Skowroneck and Andrew Pinnock -- Left hand techniques in Carl Czerny's pedagogical piano works and nineteenth-century pianism / Katherine Wong -- In the footsteps of Jean Paul / Balder Neergaard -- A forgotten repertoire / Nancy Lee Harper.In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, covering the mid-sixteenth to early twentieth century.Ashgate Historical Keyboard SeriesKeyboard instrument musicHistory and criticismKeyboard instrument musicInterpretation (Phrasing, dynamics, etc.)Performance practice (Music)Keyboard instrument musicHistory and criticism.Keyboard instrument musicInterpretation (Phrasing, dynamics, etc.)Performance practice (Music)786.09Woolley Andrew1707788Kitchen John1950-255597MiAaPQMiAaPQMiAaPQBOOK9910827905803321Interpreting historical keyboard music4096259UNINA