02935nam 2200661 450 991082788790332120220208170550.00-252-07994-90-252-09631-2(CKB)3710000000133445(EBL)3414351(SSID)ssj0001234740(PQKBManifestationID)11679983(PQKBTitleCode)TC0001234740(PQKBWorkID)11222585(PQKB)11265017(MiAaPQ)EBC3414351(StDuBDS)EDZ0001639670(OCoLC)882104873(MdBmJHUP)muse32422(Au-PeEL)EBL3414351(CaPaEBR)ebr10886052(CaONFJC)MIL620331(EXLCZ)99371000000013344520140702h20142014 uy 0engur|n|---|||||txtccrBeyond the white negro empathy and anti-racist reading /Kimberly Chabot DavisUrbana, Illinois :University of Illinois Press,2014.©20141 online resource (273 p.)Includes index.1-306-89080-2 0-252-03843-6 Includes bibliographical references and index.Introduction: cross-racial empathy: viewing the White self through Black eyes -- Wiggers or White allies? White hip-hop culture and racial sincerity -- Oprah, book clubs, and the promise and limitations of empathy -- Reading race and place: Boston book clubs and post-soul fiction -- Deconstructing White ways of seeing: interracial-conflict films and college-student viewers -- Conclusion: Black cultural encounters as a catalyst for divestment in White privilege.Critics often characterize white consumption of African American culture as a form of theft that echoes the fantasies of 1950s-era bohemians, or 'White Negroes,' who romanticized black culture as anarchic and sexually potent. In this work, Kimberly Chabot Davis claims such a view fails to describe the varied politics of racial crossover in the past fifteen years. Davis analyzes how white engagement with African American novels, film narratives, and hip-hop can help form anti-racist attitudes that may catalyze social change and racial justice.White peopleUnited StatesAttitudesAnti-racismUnited StatesAfrican American artsInfluenceEmpathyUnited StatesRace relationsWhite peopleAttitudes.Anti-racismAfrican American artsInfluence.Empathy.305.800973Davis Kimberly Chabot1968-1610081MiAaPQMiAaPQMiAaPQBOOK9910827887903321Beyond the white negro3937658UNINA