03797nam 22007814a 450 991082775740332120200520144314.00-511-10234-81-107-13108-11-280-41909-11-139-14731-50-511-17035-10-511-06372-50-511-05739-30-511-32394-80-511-48193-40-511-07218-X2027/heb07608(CKB)1000000000018041(EBL)218159(OCoLC)57419435(SSID)ssj0000121982(PQKBManifestationID)11139990(PQKBTitleCode)TC0000121982(PQKBWorkID)10122685(PQKB)10869148(Au-PeEL)EBL218159(CaPaEBR)ebr10069921(CaONFJC)MIL41909(UkCbUP)CR9780511481932(MiAaPQ)EBC218159(dli)HEB07608(MiU)MIU01000000000000007429949(EXLCZ)99100000000001804120010711d2002 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierChromatic transformations in nineteenth-century music /David Kopp1st ed.Cambridge ;New York Cambridge University Press20021 online resource (xiii, 275 pages) digital, PDF file(s)Cambridge studies in music theory and analysis ;17Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-02849-3 0-521-80463-9 Includes bibliographical references (p. 264-269) and index.Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses.David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.Cambridge studies in music theory and analysis ;17.Chromatic transformations in 19th-century musicHarmonyChromaticism (Music)Music19th centuryHistory and criticismHarmony.Chromaticism (Music)MusicHistory and criticism.781.2/52Kopp David1021763MiAaPQMiAaPQMiAaPQBOOK9910827757403321Chromatic transformations in nineteenth-century music2425552UNINA