02882nam 2200601Ia 450 991082774800332120230725052000.01-283-13532-997866131353221-61147-448-5(CKB)2550000000037208(EBL)716042(OCoLC)742333301(SSID)ssj0000541222(PQKBManifestationID)12202620(PQKBTitleCode)TC0000541222(PQKBWorkID)10492755(PQKB)11569806(MiAaPQ)EBC716042(Au-PeEL)EBL716042(CaPaEBR)ebr10478280(CaONFJC)MIL313532(EXLCZ)99255000000003720820110518d2011 uy 0engur|n|---|||||txtccrShakespeare and the Cleopatra/Caesar intertext[electronic resource] sequel, conflation, remake /Sarah HatchuelLanham, Md. Fairleigh Dickinson University Press, co-published with The Rowman & Littlefield Pub. Group20111 online resource (255 p.)Description based upon print version of record.1-61147-447-7 Includes bibliographical references and index.Contents; List of Illustrations; Acknowledgments; Introduction; Chapter 1. Revisiting Julius Caesar: Antony and Cleopatra as Logical Extension or Challenging Rewriting?; Chapter 2. "Play it Again, Antony!": Performing Antony and Cleopatraas Julius Caesar's Sequel; Chapter 3. "Triple-Turn'd Whore!": Cleopatra in an Intertextual Triangle of Desire; Chapter 4. "Play it Again, Cleopatra!": Cleopatra as the Pivotal Figure in the Conflation of Plots1; Chapter 5. "Carry on, Cleo!": From Sequel, to Remake and Parody; Conclusion: "To Be and Not to Be" a Sequel?Some Films Based on the Figuresof Julius Caesar, Cleopatraand Mark AntonyBibliography; Index; About the AuthorUniquely blending theories of literary and filmic intertextuality with issues of race and gender, and written by an experienced author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.Film adaptationsHistory and criticismFilm remakesHistory and criticismEnglish dramaFilm adaptationsFilm adaptationsHistory and criticism.Film remakesHistory and criticism.English drama791.43/6Hatchuel Sarah600155MiAaPQMiAaPQMiAaPQBOOK9910827748003321Shakespeare and the Cleopatra3950363UNINA